REVIEW OF TROTH BY RUTHERFORD MAYNE
Conor Maguire Presents… staged a reading of Troth by Rutherford Mayne on Tuesday 10th November in Castlereagh Civic Centre.
Troth is a powerful commentary on the complex web of loyalty and division that criss-crossed nineteenth century
Failing tenant farmer McKie has suffered too much – the loss of a son, the threatened loss of his farm – to take comfort in his illusory kinship with the distant, never seen Colonel Fotheringham. Unlike his labourer John Smith, who exhorts Mrs McKie to remember that Colonel Fotheringham and blames the ‘Moores and Maguires and Maguinnesses’ for the tenants plight. Smith’s defence of the Quality earns him a job up at the demense, but earns him rebukes and distrust from his master and mistress.
It is Moore, a Catholic tenant farmer in even worse straits than McKie, to whom McKie feels a connection. They are not insensible of the traditional tensions between them , it goes unsaid throughout the text there but there is a powerfully unstated stage direction that captures it – He starts up and reaches for he gun, then suddenly suspicious of MOORE, he stops and looks around at him - but in their shared suffering, with Moore’s ill-fortune not only matching but surpassing that of McKie, they find common ground. And it is to the language of that suffering that they return to again and again, shaping incitement and need for assurance around the reminders of the pain they had both gone through.
Troth is a sere and unrelenting piece of work, brutal despite the lyric moments that escape into the dialogue, and well suited to Conor Maguire’s frugal staging. With only a stage and a few chairs the actors, under Maguire’s direction, captured not only their characters but their surroundings. When Paul Kennedy reached for Mr McKie’s gun and hesitated, you could practically see the metal of it. And when Jo Donnelly, whose portrayal of the reeling Mrs McKie was perfection itself, held herself and threw her head back, wild eyed, to listen to the corpse pass by…you felt the chill.
Faolán Morgan who played
It was a powerful performance of a powerful play, with Conor Maguire hitting his stride as director to orchestrate an almost perfect production. With only one more Rehearsed Reading left for the programme – on the Tues 8th December – I look forward to seeing how he follows this up.