Showing posts with label Lee Child. Show all posts
Showing posts with label Lee Child. Show all posts

Wednesday, 6 November 2013

Guest Post - Steve Cavanagh on Killer Books, meeting your heroes and the verisimilitudes of poo.



Stephen King is probably the greatest living writer.

If you read that statement and immediately thought it was wrong and such names as Martin Amis, Jonathan Franzen or Salman Rushdie sprung to mind, you would be well advised to stop reading at this point, have a lie down and then enjoy some herbal tea.

I’m not an intellectual. I don’t enjoy literature (whatever that is) as much as crime fiction or thrillers. Kingsley Amis, Martin’s father, felt the same way. He liked thrillers and preferred Ian Fleming to Flaubert (much to the chagrin of his son).

By the way, in case you’re wondering whether you yourself are an intellectual, you can always tell by taking Billy Connolly’s test.

The test is simple – If you can listen to the William Tell overture without thinking of the Lone Ranger, you’re an intellectual.

Still here?

Good.

Apart from his considerable gifts as a novelist, Stephen King is a marvellous wit, raconteur and a man of considerable patience. One of his tales concerns an encounter with an elderly fan who had particularly poor timing. When touring, King would usually spend his early mornings doing the rounds of various television and radio breakfast shows, promoting his latest novel. In the afternoon there would be signings and events, in the evening a dinner with booksellers and industry people before either a late flight or a ridiculously early start the next day. Even if you’re doing something that you love, that kind of schedule is exhausting and when this particular story takes place, King is at that stage of the tour where he was feeling pretty wrung out.

During one such dinner, King felt a dark and powerful force take hold of him. It started with a fever, then cold clammy skin, followed by a surge in his bowels that could only be described as ‘commanding.’ He left the table in a hurry and dashed to the newly refurbished bathrooms in the stylish 80’s restaurant where he was being treated to dinner. The bathrooms were, well, very new, in that the bathroom stalls had no doors. By that I mean, no door, not a half door, not even a screen, nothing - just a cubicle wall on either side of a proud, and very public, toilet. King rushed past the bathroom attendant who looked to be 105 years old and sat down to empty what, at that stage, felt like his very being.

Head resting against the cold tiles lining the stall, his trousers at his ankles, wondering (a) if he would ever walk again and (b) how much ice he could pack into his underwear - King shuddered, swore under his breath and closed his eyes as the ancient bathroom attendant shuffled towards him, pad and pen in hand – ‘I saw you on breakfast TV Mr King, can I have your autograph?’

Did he sign it?

Of course he did.

He’s Stephen King.

The attendant was obviously star struck and no matter what, he wanted that autograph.

I can relate to that, to an extent. Over the past year I’ve met some of my writing heroes; writers that I admire enormously and read greedily. When I met some of them I was also in the process of writing my first novel, The Defence. There was that awkward, nervy moment before I blurted out ‘oh, I kinda’ do a bit of that writin’ stuff too, you know,’ and immediately wished that statement had remained unblurted. But I needn’t have worried, Colin Bateman, John Connolly, Declan Burke, Jeffrey Deaver, Brian McGilloway and others, were more than encouraging. But I suspected that some of them had that ‘LA actor’ story in the back of their minds. You know the story -

‘Did I mention I’ve moved to LA? Yeah, I’m an actor now.’

‘Really? Which restaurant do you work in?’

That kind of thing.

If they did have that ‘LA actor’ impression in their minds, and who can blame them, then they were both kind and sensitive enough not to show it. I suspect it’s because many of them were once an aspiring, frustrated writer trying desperately to get published and maybe they had that moment when they met one of their writing heroes.

This brings me neatly to a legend of crime fiction, who must remain nameless, and their story about not meeting Lee Child. The nameless legend was at a crime writing festival and wanted to meet the creator of Jack Reacher. A group of writers were outside the venue talking to Lee Child. The unnamed legend described that awkward kind of hanging-back-thing we all do whilst nervously awaiting that opportune moment to interject and introduce oneself.

The anonymous legend waited. Some people departed. There was space to nip in and hold out an open hand to a fellow legend. He seized his chance to introduce himself to Lee Child and he duly nipped, he extended the hand, he took a breath and…. at precisely the same moment an excessively large bird turd exploded across the impeccably tailored jacket that contained Lee Child. The moment was gone, along with Lee Child who presumably departed in order to assemble his sniper rifle before exacting Reacher-esque revenge on the offending bird.

So you see, poo doesn’t always assist in meeting writing legends. Particularly when said poo is released from a high altitude.

Is there a lesson in this?

You’re damn right.

If you want to meet Lee Child, wait until he sits his ass on the toilet.

Well, actually, no, don’t do that. Lee is well over six feet tall, charming and polite, of course, but even so, if you approached him inappropriately whilst in a lavatory, he would probably snap your neck with his bare hands (a sniper rifle would be a tad unwieldy in a toilet cubicle).

The truth is, if you wanted to meet Lee Child you should have gone to Killer Books.

He’s super-cool. I met him last weekend at Brian McGilloway’s brilliantly curated Killer Books Festival in Derry/Londonderry. I met lots of other fantastic writers including – said Mr McGilloway, Andrew Pepper, Stuart Neville, Declan Burke, Gerard Brennan, Claire McGowan, Alan Glynn and fellow solicitor/writer Des Doherty and all of them made me feel really welcome. Declan and Brian even introduced me to Lee Child. It is often remarked that crime writers are overwhelmingly supportive and welcoming of new writers. So they are, and I’m immensely grateful for their generosity.

This time (being only a semi-not-yet-published-idiot with the ink still wet on my publishing contract) after a genuinely friendly chat with writers that I admire and look up to, who have no business talking to a newbie like me, but who do so because they too are super-cool, I didn’t feel so much like an actor who had just moved to LA.

Well, actually, I did - a bit.

And I suspect I always will.






Tuesday, 5 November 2013

Guest Post -- Des Doherty on meeting heroes and teenage kicks...


What a great success the first Killer Books Festival was in Derry at the weekend. I had a fabulous time and it was an honour for me to meet so many authors and hear all about them. There is a support in the crime writing community for colleagues and friends that I rarely see in other walks of life. Also the encouragement of successful and established authors to novices like me is so much appreciated.

The success of the weekend is down to the brilliant work of the staff at the Verbal Arts Centre and of course Brian McGilloway. The launch of 'Hurt' by Brian was one of the highlights of the weekend for me. I cannot thank Brian enough for all his work over the weekend.

These events just don't happen. It was clear to me the Verbal Arts Centre and Brian put a massive amount of work into making all the pieces fit together and getting everyone in the right place at the right time. Well done.

One of those pieces was having over an hour of private time with Lee Child at Easons and buying him a filtered grande coffee with no milk. And at his request being asked to pose with his new Jack Reacher novel for a photo. Then to top it all he wanted a photo with my Valberg novel. I couldn't believe it. Then a photo of us both together when the press arrived. We talked about so many things and he gave me encouragement and advice. He really went out of his way to ask me about my novel and with a shaking hand I signed my novel for him. As I hear often in court -'I have no recollection of that'- I have no recollection of signing the book for him and I dread to think of the state of it as I was in a surreal Valberg moment. Bloody Hell.


The weekend continued into Monday night at Colin Bateman's Teenage Kicks. What a show. What brilliant songs and performances from people so young they would not even have been born when the songs were written. Middle Age Kicks are really hard to beat and Colin's musical was the perfect grand finale to a brilliant weekend. Everyone with an ounce of punk in them should get to this show. Even if you don't have an ounce of punk in you get to the show and see what you are missing. Get away from horrific reality television spectacles and support Teenage Kicks. The young actors and the young punk band will invigorate you and take you back to a time, atmosphere and attitude that perhaps we can only dream about, and write about now. The kids are united in this show and we should be united in supporting them.’

Wednesday, 24 March 2010

Feckin' Traffic! Bet it wouldn't have held Jack Reacher back, though...


As I rattle out this short post I'm missing what promised to be another great No Alibis event. I was in attendance for the Michael Connelly and James Ellroy ones in 2009 and loved them. And right at this very second Brian McGilloway is chatting to Lee Child in Belfast and I'm not there.

Why?

Because some wing nut crashed his feckin' car on the M1 which led to a queue of rubberneckers coasting along my homeward route at a snail's pace. As a result, I was late home and didn't have enough time to get a quick bite to eat, kiss the kids goodnight and hit the tarmac trail.

So, if you happen to be reading this, Motorway-Prang-Boy, thanks a lot, you tool.

I'd really like to hear how the night went from anybody who managed to make it. If you fancy it, please drop a comment here or even email me a few paragraphs and I'll give you your own post.

In the meantime, I'm going to watch a bit of telly with the missus.

There are worse ways to spend an evening.

Monday, 22 March 2010

Lee Child Competition

(Pictured above, Lee Child, writer and handsome devil.)

David Torrans of No Alibis got in touch with me this morning to offer some giveaway tickets to the Lee Child event in Belfast on Wednesday night (full venue and ticket information here). There are five of these beauties up for grabs.

Since we're strapped for time, I'm going to keep the competition simple. First five people to comment on this post get a ticket. Because you might want to bring a significant other with you, I'll allow a maximum of two entries. Simply comment twice if you want two.

Entrants will need to make their way to No Alibis to collect their tickets before the event (and do Dave a favour -- don't leave it to the last minute, please).

Also, you should know that Brian McGilloway is interviewing Child. How could you not want a ticket to that?

Get in there!

Monday, 15 February 2010

Lee Child Belfast Launch - Venue Details

Transworld Publishers and No Alibis Bookstore are proud to announce that

Author of the Jack Reacher Novels,
Will be appearing at
The Movie House
DUBLIN ROAD
BELFAST

Chat, Reading and Q&A
Wed 24th MARCH 7pm
To Launch his Latest novel

Ticket Price £12
Call David on 028-90-319601
Or email david@noalibis.com
To Book Tickets


NO ALIBIS BOOKSTORE
83 BOTANIC AVENUE
BELFAST BT7 1JL
david@noalibis.com
ph. 02890-319601
fax. 02890319607

Wednesday, 10 February 2010

Reacher Wider Audience - News From David Torrans

LEE CHILD
BELFAST
MARCH 2010


Lee Child, one of the Worlds greatest Thriller Writers, will be heading to Belfast In March 2010.

No Alibis Bookstore, in association with TRANSWORLD Publishers, is proud to announce that they will be hosting an event to promote the new JACK REACHER novel, GONE TOMORROW.

We are in the final stages of confirming the City Centre Venue and will be posting details on our WEBSITE, http://www.noalibis.com/ very shortly.

To register your interest in this event simply email back to david@noalibis.com

Lee Child was born in 1954 in Coventry, England, but spent his formative years in the nearby city of Birmingham. By coincidence he won a scholarship to the same high school that JRR Tolkien had attended. He went to law school in Sheffield, England, and after part-time work in the theatre he joined Granada Television in Manchester for what turned out to be an eighteen-year career as a presentation director during British TV's "golden age." During his tenure his company made Brideshead Revisited, The Jewel in the Crown, Prime Suspect, and Cracker. But he was fired in 1995 at the age of 40 as a result of corporate restructuring. Always a voracious reader, he decided to see an opportunity where others might have seen a crisis and bought six dollars' worth of paper and pencils and sat down to write a book, Killing Floor, the first in the Jack Reacher series.

Killing Floor was an immediate success and launched the series which has grown in sales and impact with every new instalment.

Lee has three homes—an apartment in Manhattan, a country house in the south of France, and whatever airplane cabin he happens to be in while travelling between the two. In the US he drives a supercharged Jaguar, which was built in Jaguar's Browns Lane plant, thirty yards from the hospital in which he was born.

Lee spends his spare time reading, listening to music, and watching the Yankees, Aston Villa, or Marseilles soccer. He is married with a grown-up daughter. He is tall and slim, despite an appalling diet and a refusal to exercise.

NO ALIBIS BOOKSTORE
83 BOTANIC AVENUE
BELFAST BT7 1JL
david@noalibis.com
ph. 02890-319601
fax. 02890319607

Tuesday, 26 August 2008

A Wee Review - Volk's Game by Brent Ghelfi


“What do you know about art, Volk?”

The opening line of Volk’s Game by Brent Ghelfi, and a question that leads to much trouble for the cold, hard Russian gangster, Alexei Volkovoy (AKA Volk). Lee Child provides the front cover quote on the Faber & Faber paperback – “A hard, fast... excellent debut.” And frankly, I have no argument with that at all.

Volk’s chilling reputation as a veteran of the Chechen war and his current status in the Moscow crime underworld qualifies him for a risky art heist. Employed by the psychotic mafia kingpin, Maxim, and accompanied by his beautiful lover and guardian angel, Valya, Volk's already complex and close to impossible job goes pear-shaped, and then the real trouble begins.

This novel is chockfull of twists, turns and outright squiggles. Barely a page goes by without an injection of action. There’s a fair whack of suspense and the violence, though far from splatter and gore for the sake of it, is very hard-hitting. If you’re looking for some hard-boiled, tough guy fiction, Ghelfi provides it in spades. And there’s the added bonus that the tale is set in Russia. I’ve always had an interest in the place, though I’ve never had the opportunity to go see it for myself. However, this book won’t have you reaching for your passport, as the depiction is bleak, bleak, bleak, to say the least. But then, the world Volk inhabits is a far cry from the kind of places a law abiding citizen would be used to. And it’s nice to step out of the comfort zone and rely on the writer to paint a terrain the reader is unfamiliar with. Ghelfi has spent a lot of time in Russia, and this book is proof that he’s taken in every detail.

As a protagonist, Volk is of the risky, easy-to-hate mould. His past leads you to feel some sympathy for him, and Ghelfi masterfully gets you on the gangster’s side for a good portion of the book. But he does this, in my opinion, in order to heighten the impact when he whips the rug from under the reader. By the end of the novel I was conflicted in my opinion of Volk. The only thing I knew for certain, was that I wanted to learn more about him. So, I’ll be eagerly anticipating the follow-up, Volk’s Shadow.

The entire cast is made up of well-drawn, three-dimensional characters, right down to the bit players. The plot is tight and interesting, though not overly complex. The prose moves fast when it needs to, but takes the odd detour to paint some excellent visuals. Ghelfi can write. No question about it.

He’s not quite in Adrian McKinty’s league, but there are some very interesting parallels in both writers’ protagonists. Michael Forsythe, from McKinty’s Dead trilogy is also a tough gangster-type with ties to the military. And he’s getting by on a prosthetic foot. So too, Alexei Volkovoy. And both characters are experts in getting themselves into some seriously intense no-win situations and getting out by the skin of their teeth. For me, Forsythe has the edge due to his black Northern Irish humour, but Volk comes in at a close second.

So, if you’re a McKinty fan who’s read all he has to offer, I’d urge you to give Ghelfi a chance. Volk’s Game is a blistering read. A literary Molotov cocktail. The plot has more layers than a Babushka doll. You Moscow (must go) buy it... You get the picture, no?