Showing posts with label Stephen King. Show all posts
Showing posts with label Stephen King. Show all posts

Monday, 4 May 2015

Award Season

Last week, Stuart Neville filled me with pride and envy at the same time. Pictured below, you'll find our Stu amongst a murder of Edgar Award shortlisters. All scribes pictured have, of course, earned their place on that list. However, it'd be disingenuous to be less than gobsmacked by the presence of Stephen King in this picture. STEPHEN FECKIN' KING!

L-R: Ian Rankin, Stephen King, Karin Slaughter, Stuart Neville and Wiley Cash


As it turned out, King nabbed the prize for his novel, Mr Mercedes. I'm reading said novel right now. Whether or not I'll enjoy it as much as or more than Neville's The Final Silence remains to be seen. So far, it's pretty good, though. I've looked through the King novels listed at the start of Mr Mercedes. Of the 57 books in the list (includes those written under the Bachman pseudonym, the non-fiction books and the Dark Tower series), I've read 47. I read IT when I was 13 years old and have dipped in and out of his work since then. And enjoyed the vast majority of them. Hence my envy, Mr Neville!

Anyway, I got over that tinge of jealousy and remain proud of the fact that one of the writers that I know and respect has hit this level of recognition. You can consider this the official CSNI message of congratulations to one of the leading lights of the Northern Irish crime fiction scene.

Now, from Stuart Neville to Anthony Quinn.

Anthony Quinn at the launch of The Blood Dimmed Tide earlier this year


I learned today that Quinn has been long-listed for the 2015 Theakstons Old Peculier Crime Novel of the Year. You can see the longlist in its entirety over at the Shotsmag Confidential blog. You'll notice that Lee Feckin' Child (along with other top class scribes with the affectionately given middle name of Feckin') is included on this list. However, Anthony Quinn is the only Northern Irish entrant. This makes me sad and happy at the same time. I'd like to see more names from the NI crime fiction set on the longlist, but I also like the fact that I don't have to split my cheerleading attention on this one.

So, here at CSNI, we (by which I mean me, myself and I) are urging you to vote for Anthony Quinn's Disappeared to make it onto that shortlist.

It's a big feckin' deal.

We (and this time I mean everybody reading this)  can't actually vote until the shortlist is announced, but we can show Anthony our support by making a lot of noise about his achievement. So, if you could share this blog post on social media, look for Anthony on Facebook and Twitter so you can congratulate him, or -- most importantly -- READ THE BOOK, that'd be pretty cool of you.

I read Disappeared a few years ago (I got my hands on the US version which was published long before the UK version) but, despite the fact I highly recommend it, I failed to find the time to write a review. Other people have reviewed it, though. Get Googling, people!


Monday, 18 August 2014

The Girl in the Basement by Wayne Simmons


The Girl in the Basement is the latest offering from Northern Ireland's genre giant, Wayne Simmons. Published by Infected Books, this brutal little novella is a psychological thriller that wallows in noir conventions. Simmons is primarily known as a horror hack (in his own words), but he has done a terrific job of straddling a few crime fiction sub-genres in this one. But if you're a true-blue horror fan, don't worry, he does manage to squeeze in a cheeky zombie movie reference here and a slasher flick hat-tip there. Now, while there are undoubtedly points in this novella that Simmons hammered out with a wry smile on his face, you are more likely to grimace than grim; which is what his constant readers have come to expect and crave, no doubt.

As far as the plot goes, the title tells you just enough to give you an idea of what's going on. I don't want to spoil anything, so I won't go into any more detail. What I will say is that I took more from this than I did from, say, Stephen King's Gerald's Game, a novel with a similar premise that (in my opinion) should have been much shorter. And I'm a fan of those epic King novels, IT and The Stand, as well as the entire Dark Tower series, so you can't really blame my lack of enthusiasm for Gerald's Game on a shortening attention span. I think Simmons nailed the pace and balanced the back story elements in his offering perfectly. Best read in one sitting. The Girl in the Basement isn't just a gut punch, it's a heavyweight pummelling. Just remember to breathe as you take your lumps. It'll all be over soon enough.

Wednesday, 6 November 2013

Guest Post - Steve Cavanagh on Killer Books, meeting your heroes and the verisimilitudes of poo.



Stephen King is probably the greatest living writer.

If you read that statement and immediately thought it was wrong and such names as Martin Amis, Jonathan Franzen or Salman Rushdie sprung to mind, you would be well advised to stop reading at this point, have a lie down and then enjoy some herbal tea.

I’m not an intellectual. I don’t enjoy literature (whatever that is) as much as crime fiction or thrillers. Kingsley Amis, Martin’s father, felt the same way. He liked thrillers and preferred Ian Fleming to Flaubert (much to the chagrin of his son).

By the way, in case you’re wondering whether you yourself are an intellectual, you can always tell by taking Billy Connolly’s test.

The test is simple – If you can listen to the William Tell overture without thinking of the Lone Ranger, you’re an intellectual.

Still here?

Good.

Apart from his considerable gifts as a novelist, Stephen King is a marvellous wit, raconteur and a man of considerable patience. One of his tales concerns an encounter with an elderly fan who had particularly poor timing. When touring, King would usually spend his early mornings doing the rounds of various television and radio breakfast shows, promoting his latest novel. In the afternoon there would be signings and events, in the evening a dinner with booksellers and industry people before either a late flight or a ridiculously early start the next day. Even if you’re doing something that you love, that kind of schedule is exhausting and when this particular story takes place, King is at that stage of the tour where he was feeling pretty wrung out.

During one such dinner, King felt a dark and powerful force take hold of him. It started with a fever, then cold clammy skin, followed by a surge in his bowels that could only be described as ‘commanding.’ He left the table in a hurry and dashed to the newly refurbished bathrooms in the stylish 80’s restaurant where he was being treated to dinner. The bathrooms were, well, very new, in that the bathroom stalls had no doors. By that I mean, no door, not a half door, not even a screen, nothing - just a cubicle wall on either side of a proud, and very public, toilet. King rushed past the bathroom attendant who looked to be 105 years old and sat down to empty what, at that stage, felt like his very being.

Head resting against the cold tiles lining the stall, his trousers at his ankles, wondering (a) if he would ever walk again and (b) how much ice he could pack into his underwear - King shuddered, swore under his breath and closed his eyes as the ancient bathroom attendant shuffled towards him, pad and pen in hand – ‘I saw you on breakfast TV Mr King, can I have your autograph?’

Did he sign it?

Of course he did.

He’s Stephen King.

The attendant was obviously star struck and no matter what, he wanted that autograph.

I can relate to that, to an extent. Over the past year I’ve met some of my writing heroes; writers that I admire enormously and read greedily. When I met some of them I was also in the process of writing my first novel, The Defence. There was that awkward, nervy moment before I blurted out ‘oh, I kinda’ do a bit of that writin’ stuff too, you know,’ and immediately wished that statement had remained unblurted. But I needn’t have worried, Colin Bateman, John Connolly, Declan Burke, Jeffrey Deaver, Brian McGilloway and others, were more than encouraging. But I suspected that some of them had that ‘LA actor’ story in the back of their minds. You know the story -

‘Did I mention I’ve moved to LA? Yeah, I’m an actor now.’

‘Really? Which restaurant do you work in?’

That kind of thing.

If they did have that ‘LA actor’ impression in their minds, and who can blame them, then they were both kind and sensitive enough not to show it. I suspect it’s because many of them were once an aspiring, frustrated writer trying desperately to get published and maybe they had that moment when they met one of their writing heroes.

This brings me neatly to a legend of crime fiction, who must remain nameless, and their story about not meeting Lee Child. The nameless legend was at a crime writing festival and wanted to meet the creator of Jack Reacher. A group of writers were outside the venue talking to Lee Child. The unnamed legend described that awkward kind of hanging-back-thing we all do whilst nervously awaiting that opportune moment to interject and introduce oneself.

The anonymous legend waited. Some people departed. There was space to nip in and hold out an open hand to a fellow legend. He seized his chance to introduce himself to Lee Child and he duly nipped, he extended the hand, he took a breath and…. at precisely the same moment an excessively large bird turd exploded across the impeccably tailored jacket that contained Lee Child. The moment was gone, along with Lee Child who presumably departed in order to assemble his sniper rifle before exacting Reacher-esque revenge on the offending bird.

So you see, poo doesn’t always assist in meeting writing legends. Particularly when said poo is released from a high altitude.

Is there a lesson in this?

You’re damn right.

If you want to meet Lee Child, wait until he sits his ass on the toilet.

Well, actually, no, don’t do that. Lee is well over six feet tall, charming and polite, of course, but even so, if you approached him inappropriately whilst in a lavatory, he would probably snap your neck with his bare hands (a sniper rifle would be a tad unwieldy in a toilet cubicle).

The truth is, if you wanted to meet Lee Child you should have gone to Killer Books.

He’s super-cool. I met him last weekend at Brian McGilloway’s brilliantly curated Killer Books Festival in Derry/Londonderry. I met lots of other fantastic writers including – said Mr McGilloway, Andrew Pepper, Stuart Neville, Declan Burke, Gerard Brennan, Claire McGowan, Alan Glynn and fellow solicitor/writer Des Doherty and all of them made me feel really welcome. Declan and Brian even introduced me to Lee Child. It is often remarked that crime writers are overwhelmingly supportive and welcoming of new writers. So they are, and I’m immensely grateful for their generosity.

This time (being only a semi-not-yet-published-idiot with the ink still wet on my publishing contract) after a genuinely friendly chat with writers that I admire and look up to, who have no business talking to a newbie like me, but who do so because they too are super-cool, I didn’t feel so much like an actor who had just moved to LA.

Well, actually, I did - a bit.

And I suspect I always will.






Friday, 6 August 2010

An Interview - Wayne Simmons


Belfast born, Wayne Simmons, has been loitering with intent around the horror genre for some years. Having scribbled reviews and interviews for various zines, Wayne released his debut horror novel, DROP DEAD GORGEOUS, through PERMUTED PRESS. The book was received well by both fans of the genre and reviewers alike. In April 2010, the rights to DROP DEAD GORGEOUS reverted back to Wayne. An extended version of DDG will be released through SNOWBOOKS in 2011.

Wayne released the zombie apocalyptic horror novel, FLU, through SNOWBOOKS in April 2010.

In what little spare time he has left, Wayne enjoys running, getting tattooed and listening to all manner of unseemly screeches on his BOOM-BOOM Box…

(www.waynesimmons.org)

Q1. What are you writing at the minute?

At the minute, I'm writing the follow-up to FLU. It's to be called FEVER and will be both a prequel and sequel to the first book. All the surviving characters from the FLU will return (as well as some who haven't survived!) and there'll be new folks for readers of the series to get to know. With FEVER, readers can expect more of the same from me - Belfast-based, character-driven survival horror. With zombies, of course.

Q2. Can you give us an idea of Wayne Simmons’s typical up-to-the-armpits-in-ideas-and-time writing day?

I try to write most days, aiming for at least 1000 words. The challenge is to fit my writing around the rest of my life: that's proving more and more difficult the busier I get. With FLU's ongoing success (the first print-run has completely sold-out), there's more promotion work, interviews, anthos etc. to give attention to alongside trying to maintain prolific writing output. Plus, I still work full time.

I find myself writing a lot on the train to and from work, transferring the scribbled notebook pages into my PC when I get home. I get inspired when surrounded by people and find I write best when in the company of others. I know that's not the norm, but it works for me!

Q3. What do you do when you’re not writing?

I think about what I'm going to write. Hah! To a certain extent, that's completely true. I'll often be sitting at work or having a conversation with someone and an idea will suddenly come to me. Generally, I try to have a fairly healthy social life - getting out and about to gigs, eating sushi, drinking beer and collecting as many tattoos as my skin and modest wages allow.

Q4. Any advice for a greenhorn trying to break into the genre fiction scene?

Self-promotion is key. Get out to genre conventions and onto genre message boards and get the word out on who you are and what you're about. Talk to people in the industry - you'll find most folks are very approachable via facebook etc. Don't be afraid to ask questions. Oh, and my golden rule is to keep your feet on the ground - remember that no matter what success you enjoy as a writer in the genre (whatever genre(s) you decide to write within), you're a fan first and foremost.

Q5. Which writers have impressed you this year?

This year I've enjoyed writing by Simon Logan (Katja from the Punk Band), David Moody (Hater, Dog Blood), Rupert Thomson (Death of a Murderer), Jack O'Connell (The Skin Palace), Tim Lebbon (The Thief of Broken Toys), Stephen King (Duma Key, Cujo, On Writing) amongst many others. I'm interested in character-driven fiction that draws an emotional investment out of the reader. I don't always read sci-fi or horror stories.

Q6. What are you reading right now?

Fiction-wise, I'm just finishing Tim Lebbon's The Thief of Broken Toys (which is an astounding read). Non-fiction wise, I'm reading a book on different variations of Left-Libertarianism and Rupert Thomson's autobiographical This Party's Got to Stop. I tend to read about three books at a time. Silly, I know!

Q7. Plans for the future?

A cleaned-up and extended version of my debut novel, DROP DEAD GORGEOUS is due for release in January 2011 (Snowbooks). I'm also keen to get FEVER on shelves next year as well as DOLL PARTS, the sequel to DDG. I've a cyberpunk thriller written at first draft stage which I'm keen to tidy up. After that, I'm seriously considering writing an Urban Fantasy set in Belfast.

Q8. With regards to your writing career to date, would you do anything differently?

Not really. I've made a few mistakes along the way, but those were a necessary part of my journey to date. I think the key thing for any professional writers starting out is to seek appropriate advice on contracts. the Society of Authors is a good resource. Basically, they're a trade union for writers.

Q9. Do you fancy sharing your worst writing experience?

When I was in my early teens I tried writing a super-hero novel but lost faith in myself after about ten scribbled file pages. I ended up burying the fruits of my labour in a ditch in Portadown. I was a troubled child, let's just say...

Q10. Anything you want to say that I haven’t asked you about?

Just thanks for the interview, Gerard! It's a pleasure to be on the CSNI blogspot. If anyone wants to find out more about my writing, ask me questions etc. they can catch up with me on my website: www.waynesimmons.org

Thank you, Wayne Simmons!

Sunday, 27 December 2009

An Interview - Brendan Garner


Brendan Garner is the author of Possession, Obsession and a Diesel Compression Engine, a chapbook of Belfast-set horror tales with a smattering of black humour. He’ll get around to the website thing some day, but in the meantime, you can catch the odd Garner tweet here. Yeah, yeah, there isn't much there. He'll get around to that some day too.

Q1. What are you writing at the minute?

Very little. I blame writer’s block. Or getting blocked. I have plans to work on a sequel to my unpublished novel, FIREPROOF, but have a lot of thinking to do before I commit myself to it. Mostly around whether or not FIREPROOF will actually be published in this lifetime.

Q2. Can you give us an idea of your typical up-to-the-armpits-in-ideas-and-time writing day?

I turn off the TV and stare at a computer screen. Sometimes words come out. Most times they don’t.

Q3. What do you do when you’re not writing?

Drink. Read. Watch horror movies. The order varies.

Q4. Any advice for a greenhorn trying to break into the comic-horror fiction scene?

I still haven’t figured out that trick myself. Considering contacting somebody about a soul trade off...

Q5. Which horror writers have impressed you this year?

I reckon The Twelve by Stuart Neville has horror elements and that rocked my socks off.

Q6. What are you reading right now?

The Gates by John Connolly. Loving it.

Q7. Plans for the future?

Break into the comic-horror fiction scene.

Q8. With regards to your writing career to date, would you do anything differently?

I’d have been more successful.

Q9. Do you fancy sharing your worst writing experience?

The day I figured out that I can’t write when I’m drunk was a pretty bad one. I’d heard Stephen King doesn’t even remember writing Cujo because he was profoundly blitzed the entire time. Thought I could emulate that. I really couldn’t.

Q10. Anything you want to say that I haven’t asked you about?

No. Stop being lazy and come up with a decent tenth question, will you?

Thank you, Brendan Garner!

Tuesday, 9 December 2008

Top Stuff 2008


Saturday brought good news for Sam Millar in the form of much lauding. The Belfast Telegraph (or Belly Telly in some quarters) did a top-ten-reads-in-2008 piece. Millar’s Bloodstorm took the top spot. To put this in perspective, he beat Maeve Binchy and Frank McCourt to get there.

Meanwhile, I’ve been thinking about my own top ten for 2008. Declan Burke over at Crime Always Pays beat me to the punch last week. John McFetridge did well there, didn’t he? Note to self; hurry the hell up and read his books. I’ve started reading his meta-fiction series on his Bouchercon road trip with Dec Burke to tide me over. It’s a lot of fun.

Also, Adrian McKinty posted Stephen King’s top ten albums for 2008, which is a bit of a cop-out if you ask me (sorry, Ade, going for that controversy thing). However, since a precedent has been set, I’ll give myself a bit of a cop-out top ten. You see, I’ve read a lot of great books this year, and it’d take ages to judge my best reads of 2008. And I don't have that kind of time. So, here’s a list of my favourite CSNI interviews – and it’s a baker’s dozen, rather than a top ten:

Ken Bruen
Colin Bateman
John Connolly
Lucy Caldwell
Ian Sansom
Declan Burke
Adrian McKinty
Brian McGilloway
Garbhan Downey
Arlene Hunt
Neville Thompson
Stuart Neville
Aifric Campbell

Honourable mention to Sam Millar for being the first CSNI interviewee. And the circle is complete.

Friday, 26 September 2008

A Wee Review - Quiver by Peter Leonard


So, Peter Leonard, son of the great Elmore Leonard, has written a crime fiction novel titled Quiver.

I thought I’d get the father-son association out of the way as soon as possible, because I think it’s only fair to review this book as a Peter Leonard novel, not a work from the son of Elmore Leonard. You could argue that he’ll benefit from his association with his father, and if that wasn’t his intention, then why not use a pseudonym? Well, that didn’t work for Joe Hill, did it? Everybody knows he’s Stephen King’s son. And judging by the reaction to his work, everybody knows he’s a very good writer. Is Peter Leonard?

Read on.

Kate McCall is dealing with her husband’s recent death at the hands of her son, fifteen-year-old Luke, in a freak hunting accident. Suffocated by guilt, Luke has gone off the rails; failing at school, drinking and living recklessly. Enter Jack, an old flame from Kate’s past, fresh out of jail and already considering his next criminal endeavour. And as Jack bulls back into Kate’s life, he brings with him some lowlife associates from his past. And they’ve noticed that Kate isn’t short of a few greenbacks. In fact, she’s a two million dollar jackpot, primed to pay out.

Quiver brings together a colourful cast of ne’er-do-wells and pits them against our heroine, Kate. Jack’s old associates are a twisted triumvirate made up of Teddy the hick thug, Celeste the sociopath daughter of a white supremacist, and DeJuan the black hitman. Each of the key players brings a unique POV to the novel, and I think out of all of them, I enjoyed the sections written in DeJuan’s perspective the most. It’s not that he’s a likeable character. Far from it. But Leonard has given his inner monologues a distinct flavour. He doesn’t think. He busts rhymes internally. Each thought could find a place in a gangsta rap song. And it reads very well. Of course, as a whiter than white Irish man, I can only base this opinion on limited experience. Namely movies like Boys in the Hood and 50 Cent songs. Could be DeJuan is the hip hop equivalent of Dick Van Dyke in Mary Poppins. But it works for me.

Kate is a strong heroine. An early flashback proves her worth as someone not to be messed with. So we know she’s tough. But what about Luke, her troubled son? Well, that right there is her weakness, and the source of most of the book’s suspense. Leonard uses this dynamic to impressive effect. This is Kate’s story, but to a certain extent, Luke’s personal journey (or in Hollywood terms – his redemptive arc), steals the show to a certain degree.

Which leads me on to my next point. This book exudes a very cinematic quality. Short, sharp scenes. Plenty of action. Multiple POV changes and cliff-hangers. I’ll not be surprised to see this pop up on IMDB in the very near future. And you know what? I’d buy a ticket.

Quiver is an exciting thriller with a plot as sharp as an arrow point and as quick as its Darton Apache-propelled trajectory. Read it now or wait for the inevitable movie release. Either way, this novel is a step in the right direction for Peter Leonard. And I imagine there’ll be better yet to come.