Tuesday, 21 February 2012

Chapbook Giveaway



Okay, I'm needy. Please validate me by reviewing my work. Your efforts will not go unrewarded. The first three people to review either THE POINT or WEE ROCKETS on Amazon (and notifies me about it by leaving a comment on this post) will receive a signed copy of my rare chapbook, POSSESSION, OBSESSION AND A DIESEL COMPRESSION ENGINE. It's a collection of six interlinked humorous-horror short stories, the first being the piece of flash fiction below that'll give you a taste of the style.


This offer is open to all countries. It's a light book (45 pages) so postage isn't an issue.



Blood Bath

He lay in his bath of blood and sang O Fortuna at the top of his voice. The blood had cooled and clotted, but he felt far too comfortable to be bothered with scraping off and getting dressed. This was the only time he had to himself, away from the office politics and embezzlement investigations. He wanted it to last for as long as possible. Besides, this one had taken more effort to fill than previous baths. His muscles still ached from the exertion.

The best bathing blood had to be extracted from frightened accountants. The easy part had always been scaring them; you just told them there was a problem with the bottom line or gave them a debit-heavy Balance Sheet. The tough part was catching them. Those chaps worried so much they built up an unhealthy supply of nervous energy. As soon as they got that adrenaline rush they moved like lightning. Skinny fellows they were too. Very hard to hold on to when they squirmed.

This particular bath had taken him a whole day to collect for. The effort of the chase, the strength expelled twisting the accountants from their ankles to their necks, holding them upside-down over the bath; it vexed.

The only motivation when under such a strain was the promise of that pop; the sweet sound of a head letting go when it reached the maximum point of elasticity. And the splash-back refreshed him so much he was always able to twist one more. Corny but true; the harder you worked at something the sweeter the reward.

He relaxed and thought about the time he tried to fill the bath with lawyer blood. Now there was a lazy species. It took barely three hours to gather enough of them to fill his bath to the brim. Such a slovenly bunch. Not one of them tried to run or even struggle in his grip. Half of them attempted to bargain their way out of it with a jumble of highbrow words. Hitherto and henceforth and whatnot. The others did nothing at all, the sudden change from hunter to hunted too much for their shark-like minds.

Although the easiest bath he’d ever prepared, he hated it. It took three accountant baths to get rid of the toxic smell. Lawyer blood emanated a horrid whiff. And it clotted at an alarming rate. It formed a thick skin on the surface that hung from his shoulders like a cloak when he climbed out of the bath. A wonderful effect visually, but damned impractical. He rarely experienced the heebie-jeebies, but those lawyers hit all the wrong buttons. He vowed never to have anything to do with that species again. It wasn’t worth the hassle.

He gazed upon the emaciated accountants strewn around the floor. He sometimes worried there would not be enough to keep him in bath blood forever. The thought made him uncomfortable and he knew it could not be ignored. Every batch got skinnier and balder than the last. Not a great sign. But he had to bathe. It was his great escape.

He would begin experiments with alternative sources. Perhaps scientists were a good place to start the experimentation. It had a certain poetic justice to it.

The sticky, clingy feel of congealed blood interrupted his thoughts. Cursing, he got to his hooves and stepped out of the bath. He picked up the nearest twisted body and wrapped it around his waist. He still felt good about discovering a use for the broken remains. If only he could utilise all the pairs of spectacles he had accumulated. It seemed such a waste of good honest craftsmanship to let them gather dust in his spare room.

With a sigh, he picked up his trident. In one last instant of escapism he upended it and held it like a guitar. He fingered a silent pentatonic blues scale; the one he liked to play at the crossroads. Thunder rumbled in the back of his throat. Time to get back to the office. The place just fell apart without him.

Friday, 17 February 2012

Three Great Novellas

CALIFORNIA by Ray Banks

In California Banks introduces us to Shuggie, an ex-con who may have finally figured out how to control his temper. He's on a mission to get from Calfornia, Falkirk, to California in the US. All he needs to do is collect the ill-gotten loot he'd stashed in his home town and get gone. Simple enough, so long as nobody gets in his way.

This is a short, straightforward read that is exceedingly well written. The insight into Shuggie's psyche is chilling in its stark authenticity. Banks is a heavyweight in the gritty Brit crime genre. Powerful.

SHOTGUN GRAVY by Chuck Wendig

Atlanta Burns, a teenager with attitude... and a shotgun. Shotgun Gravy is almost like Falling Down in high school. When a teenager with a reputation for brutal violence decides to go on a crusade against the bullies in her town it isn't long before she fnds herself and her ragtag mini-gang of friends in serious trouble. Noble as her intentions may be, she's bitten off way more than she can chew.

This novella is a shotgun blast of a read. Highly recommended. I'll be very interested to see what Atlanta Burns gets up to in her next adventure.

BARRACUDA by Raymond Embrack

This is a novella that oozes tongue-in-cheek wickedness. The hyper-reality that Embrack has created in Blonde City is tweaked to crystal meth levels. Peter Surf is a badass protagonist that the reader has utter faith in. Faith that he will strike down upon his enemies with great vengeance and furious anger. The plot is your basic revenge tale but the fun Embrack has with it livens what might have been a flat, worn-out story. The gangs of criminals the protagonist encounters could have been spewed from the mind of Tarantino if he were on a bad acid trip. Considering the pricetag, you can't afford not to buy this novella. Download and enjoy immediately.

You'll find links to these novellas on my Amazon profile page.

Tuesday, 14 February 2012

Happy Valentine's Day!

A Message for the Kindle Junkies - Support the CSNI Guy!

Now follows a shameless plug for my Kindle offerings:


WEE ROCKETS does for Belfast what Irvine Welsh did for Edinburgh. It’s a frank look at the drink and drug-addled youth ejected onto the streets of a socially deprived community as they smirk in the face of authority and play Russian Roulette with their adolescent lives.

Praise for WEE ROCKETS:

“The Wire? This is Barbed Wire. A cheeky slice of urban noir, a drink-soaked, drug-addled journey into the violent underbelly of one of Europe’s most notorious ghettos, WEE ROCKETS make The Outsiders look like the Teletubbies.” – Colin Bateman

“Gerard Brennan stands apart from the Irish crime fiction crowd with a novel rooted in the reality of today’s Belfast. The author’s prose speaks with a rare authenticity about the pain of growing up in a fractured society, shot through with a black humour that can only come from the streets. WEE ROCKETS is urban crime fiction for the 21st century, and Brennan is a unique voice among contemporary Irish writers.” – Stuart Neville

“In WEE ROCKETS Gerard Brennan has written a fast paced, exciting story of West Belfast gang culture; brimming with violence, authentic street dialogue and surprising black humour. This is a great debut novel. Brennan takes us into the heart of Belfast’s chav underclass, in a story that lies somewhere in the intersection between The Warriors, Colin Bateman and Guy Ritchie. This is the first in what undoubtedly will be a stellar literary career.” – Adrian McKinty




Small time crook Paul Morgan is a bad influence on his brother, Brian. When Paul crosses one thug too many, the cider fuelled duo flee Belfast for Warrenpoint, the sleepy seaside resort of their childhood memories. For Brian a new life in THE POINT means going straight and falling in love with Rachel while Paul graduates to carjacking by unusual means and ‘borrowing’ firearms from his new boss. Brian can’t help being dragged into his brother’s bungling schemes but Rachel can be violently persuasive herself . . . and she isn’t the only one who wants to see an end to Paul’s criminal career.

Praise for THE POINT:

“Gerard Brennan is a master of gritty violence.” - Colin Bateman

“...a Coen Brothers dream, via Belfast... Gerard Brennan grabs the mantle of the new mystery prince of Northern Ireland..." - Ken Bruen

"The Point is the real deal -- the writing is razor sharp, the characters engaging, the ending a blast. From start to finish it's true Northern Noir, crafted with style and wit." - Brian McGilloway

"It needs to said that Gerard Brennan’s The Point is terrific. Scorchingly funny, black humour at its finest and the most inventive car theft ever!" - Arlene Hunt

"The Point is top stuff. Engaging from the start, the characters are loveable, the story is strong and the pace never lets up." - Adrian McKinty

"Noir from Norn Iron! A lean slice of grindhouse from Belfast's new crime hack." - Wayne Simmons



Please note, THE POINT is also published in paperback and is available at the wonder emporium that is No Alibis, Belfast (still the only bookstore with signed copies!), and in selected branches of Waterstones across NI. If your favourite bookshop doesn't have it on the shelf, just order it in.

I thank you for your indulgence.

Wednesday, 8 February 2012

Mick's Pic


Irish crime fiction connoisseur and altogether cool melon-farmer, 'Critical' Mick Halpin sent me this funky pic. I've decided he should call it 'Stuff What Brennan Has Written and or Written For and Some Other Stuff'. Catchy, right?

Thanks for making me smile, Mick!

Wednesday, 1 February 2012

They Like Me, They Really Like Me...


Well, feck. THE POINT has only gone and scooped the Best Novella Spinetingler Award. Bloody marvellous!

Many thanks to all those who voted. According to the folks at Spinetingler Magazine there was only a few votes in it so every one actually did count.

I'd blather on a little more but I'm still pretty blown over by the whole thing. I'll say one thing, though... you could do a lot worse than to pick up a copy of all the nominees' novellas. I'm halfway through the list and they're all brilliant books. Probably why I'm still scratching my head over the whole thing.

Cheers

gb

Tuesday, 31 January 2012

Spinetingler Award -- Final Voting Day

Today is the last day that you can vote for your favourite novella in the Spinetingler awards. All info and links can be found below (basically a cut and paste job from a previous post). I hope you'll consider voting for my wee book, THE POINT.



I wanted to blog about this earlier but I had an assignment I needed to get done first. And it's now done, so -- DRUMROLL, PLEASE! -- my novella, THE POINT, has been nominated for a Spinetingler Award. Oh, yeah. The little book that could, just did. I'm frickin' dee-lighted. I'm also fully aware that a nomination is as far as it will go. Have a gander at this cluster-feck of insane talent and wonder at the confidence trick I played to get lumped in with them.

California - Ray Banks
Barracuda - Raymond Embrack
Everything I Tell You is a Lie - Fingers Murphy
Every Shallow Cut - Tom Piccirilli
Felony Fists - Jack Tunney
Follow Me Down - Kio Stark
Old Ghosts - Nik Korpon
The Point - Gerard Brennan
Shotgun Gravy - Chuck Wendig
Smoke - Nigel Bird

But hey, I don't mind losing to any one of those guys. All I want to do is go down swinging. So, if you have the time -- and you feckin' do or you wouldn't be reading this, would you? -- Go to the Spinetingler website and throw a vote my way. It only takes one click and you don't have to register for anything or agree to any dodgy terms and conditions. Just clickety-click and you're done. What are you waiting for? If you'd stopped reading a sentence or two ago, you'd be done by now!

Thank you in advance, kind souls.

P.S. Why not buy some or all of the novellas on the list? I know I will. They're there for a reason, like. Purchase links to all of them can be found on the Spinetingler site.

Thursday, 26 January 2012

New Review Policy



Last year I began writing shorter reviews to (I had hoped) allow me to produce more of them for the blog. It turned out I averaged about one review a month which represented only a small fraction of my actual reading. And I'm not even sure that the reviews did any real good for the books. So this year, I'm changing my approach again.

One thing that I've found since I released THE POINT and WEE ROCKETS is that the reviews that seem to have the most traction are those on Amazon. Now, this could well be because I'm relying heavily on Kindle sales, but I'm pretty sure that many other writers attach a lot of value to them too. I took a little time to think about whether or not it was 'professional' to review other writers on Amazon and came to the conclusion that most people don't give a feck about that sort of thing. And so, from now on, when the fancy takes me, I'll be reviewing my latest reads on Amazon. But just so the blog still has a bookish element to it, I'll be gathering them up every once in a whole and posting them on CSNI.

My main concern in this endeavour is how seriously people will treat my reviews. I'm not a fan of the 5-star system but that's what I have to work with. Thing is, when I'm reading a book that isn't floating my boat I do this really wacky thing... I stop reading it. So the majority of my reviews are going to be in the 4 and 5 star range. I suppose you could argue that the challenge is getting me to finish reading your book. Then again, most people don't give a feck about this foible either.

So, constant visitors, the latest Amazon reviews:

The Cold, Cold Ground by Adrian McKinty

Adrian McKinty is one of my favourites. He's a forerunner in the latest generation of Northern Irish crime writers. And this is the book he was born to write. A police procedural featuring a catholic RUC officer set against the backdrop of the 1981 hunger strikes. Talk about ambitious... But McKinty is a master of the craft and he has applied all of his talent to The Cold, Cold Ground.

The writing is electrifying, the characters top notch and his ability to spin a great yarn is enviable. If you want to learn a little about that crazy chapter in Northern Irish history and read an excellent story as well, you need look no further.

Buy this book.

Stolen Souls by Stuart Neville

Stuart Neville brings us back to his dark version of Belfast in the latest Jack Lennon investigation. Set over Christmas, this novel delves into the murky depths of human trafficking in Northern Ireland and the gangs that control it. It's set at a relentless pace throughout with all the now distinctive hallmarks of a Neville crime novel. If you're a fan of the Belfast series there are plenty of little references to the previous books to delight and intrigue the constant reader. But they never distract from the main force of the story. I look forward to his next instalment.

Stolen Souls is 24 meets Die Hard in Belfast. Come on, tell me you don't want to read that and I'll tell you you're a liar.

All The Young Warriors by Anthony Neil Smith

This was officially my first Kindle read and I have to say, this book alone is pretty much worth the price of the Kindle reader. Just a pity the author couldn't get a percentage off that price-tag.

The story is set in Minnesota and Somalia, places of opposite extremes in temperature and culture. The narrative is split between a recently widowed, angry cop and a terrified American-born Somalian who has gone to his father's home country to join the 'ragtag army'. This is a big, ambitious story and it is handled with expertise by Smith. A tremendous novel with a distinct and confident voice. I actually slowed my reading down around the 80% mark to make it last a little longer. I'll be reading more from this guy.

All The Young Warriors is an emotional gut-punch. I'll be thinking about it for a long time to come.

Wednesday, 25 January 2012

Why I Write - Part 3 of 3


So, is writing an escape for me? I don’t think so. I have a nice life. Apart from a dull day job, the rest of my existence is packed with blessings. I have a supportive wife who I still love very much. Then there are my three children: Mya (age 7), Jack (age 5) and Oscar (age 1). Those kids fuel and exhaust me in equal measure and they are three very different examples of pure brilliance. We also have a puppy that is so cute and fluffy that I can only walk him when it’s dark enough to hide my blushes. I’m broke most of the time, but make just enough money to provide my family with the essentials and the occasional extravagance. So, what’s to escape?

Is it a psychological impulse? Possibly. Though I have other impulses that can be acted upon as and when I decide. For instance, no mater how stressed I am, I rarely drink before the kids go to bed. Certainly never enough to get drunk. When I’ve been cut off on the M1 by some tube in a BMW 3 Series, I don’t drive my Nissan Micra into the back of his wank-mobile to teach the impudent prick a lesson. And when I pop a tube of Pringles, I often stop just to feel that little bit superior to the lost souls who make up the company’s marketing department. So, if I decided it was inconvenient, I’m confident I could quash the urge to write.

So, what is it?

Here’s a theory.

I am descended from a clan of highwaymen and bank robbers. And I am unhealthily fascinated with criminals. In fact, I believe that I have a criminal mind. However, I lack a criminal’s stomach. I simply do not have what it takes to actually commit a legal transgression. So, is the skill for figuring out inventive ways to break into a house or rob a high street shop wasted on this yellow-bellied man? Well, I usually write crime fiction, so maybe not.

Crime fiction has become my legal means of experiencing the joy of law-breaking. I want to be an outlaw but don’t want to risk a criminal record. The idea of a prison sentence captures my imagination, but I have no intention of spending any time in a cell. There are times when my temper gets the better of me and I threaten violence (from a safe distance) yet in my adult years I have yet to throw a punch that wasn’t in self defence. But in my mind, I’ve gone that extra mile so many times. Robbed, shot, stabbed. Danced, kissed, shagged. Lived, fought, died. Vicariously, I have had the most colourful lifetime I could imagine thousands of times and have infinite potential to live many more.

Surely the question is not, ‘Why do I write?’ but, ‘Why the fuck wouldn’t I write?’

That’d be a nice line to finish up on, but I haven’t addressed my skill for listening (remember I mentioned that in Part 1?), so humour me for a further paragraph or two.

I am a listener with an armoury of questions that draw conversation from others. This is useful in social situations that I can’t avoid. It is also essential for my writing inspiration. Other people have stories and I collect them, melt them down and reform them to suit my vision of a character in a story or novel. By listening to others, I refill my inkwells.

And when I can do so without it becoming too obvious to those concerned, I eavesdrop. It’s a little creepy and I’m a bit embarrassed to admit it, but I have heard some fantastic conversations on buses and in restaurant. It’s fuel to the creative fire, and a wonderful way to pass the time. But with all that information filling my brain it’d be a real shame to do nothing with it. So what do I do?

I choose to write.

Actually, that’s not a bad line to end this on either, is it?

Tuesday, 24 January 2012

Why I write - Part 2 of 3


At an early age I’d set my sights on becoming a writer and spent the rest of my time at primary school, and a few years of grammar school, thinking that it was a viable possibility. Unfortunately, by the time it came to choosing my GCSEs I had been disillusioned. We were given flowcharts and instruction manuals by our careers teacher. The poorly photocopied literature provided suggested ‘pathways’ to professional careers. Accountant, barrister, doctor… Writer as a profession was glaringly absent. Bollocks.

As far as St Colman’s College, Newry, was concerned, you studied to go to university. In university you studied to acquire a vocation. If you didn’t have the aptitude to contribute to an exemplary level of achievement and advance the school’s league records, you could expect to receive advice of NVQs, GNVQs and apprenticeships. These were options my parents persuaded me to avoid. So I found myself aimlessly slogging through GCSEs and then A Levels with limited enthusiasm. I showed some flair for English, especially the restricted amount of creative writing permitted, but this was salt in the wounds really. I gleaned some praise for my imaginings but no real advice that would help me turn it into a career. Journalism was the closest possibility but on an island obsessed with politics I barely understood, I had little love for the idea.

I was accepted into Queen’s University, Belfast, after underachieving in my A Levels. I had discovered alcohol and girls by then and enjoyed them with the lack of sophistication expected from a teenager. Studying was not high up on my list of priorities. I also played in a band at the time. Bass guitar, because it was easier than lead guitar, more prestigious than rhythm guitar and there were less bassists than guitarists in my neck of the woods which increased your chances of getting into a decent four or five-piece. At one point I played for three groups. Anyway, with my focus split this way, it was not very surprising to me that I bombed out of Queen’s. I was too hungover to sit my exams and too distracted to really consider the consequences of such idiocy. But, Jesus, I had a great time that year.

So, there I was, a failure and not particularly heartbroken about it. Sure a degree in English Literature would do fuck all for me anyway. Would it get me published? No. It’d just get in my way. I needed to learn how to live life, then I could write, damn it.

So I got a job at a timber yard. Got some experience there. Learned some new and inventive ways to swear, developed a rash on my chin that wouldn’t let up and saw somebody lose a finger in a vicious machine. The lost finger was enough to send me looking for a new job. I decided to work somewhere that wouldn’t endanger my digits. After a brief stint of stacking pancakes at the Mother’s Pride bakery I landed a cushy number in a public sector office. The Belfast Education and Library Board, to be precise. Found it mind-numbing but less dangerous than manual labour. And it’d pay the bills until I figured out how to get into the writing racket.

Twelve years have passed since then and I still work in the same building.

I am grateful for my day job, though, even if I’m less than enthusiastic about it. Over the last twelve years it has provided me with a home, a series of cars, paid for my wedding, supported my children and funded my unhealthy relationship with alcohol. And each job I’ve done within the organisation (I have been promoted a number of times, and quite recently, demoted) has been just uninspiring enough to urge me to find an alternative source of satisfaction.

So I write.