An Interview - John McFetridge

John McFetridge – I live in and write about Toronto – cops and criminals, usually organized. Reviews have most often called me a disciple of Elmore Leonard which is fine by me. I like the idea of the writer not poking his nose in and letting the characters tell their own stories. One of the best things said about my books is that the criminals aren't as smart as they think they are and the cops aren't as dumb as they let on.

Q1. What are you writing at the minute?

My novel Swap is finished and I hope it will be published in '09. I don't have dates yet.

So now I'm working on a new novel called Tumbling Dice. It's about a rock band that broke up in the mid-80's getting back together to play the casino circuit – and rob a few along the way. At the last stop on the tour the casino is being run by the guy who was their manager (and who ripped them off) back in the day and who's now tied in with organized crime. Some band members decide to extort a couple million dollars out of him and, well, it doesn't go exactly as planned. It's sex and drugs and rock'n'roll.

Q2. Can you give us an idea of John McFetridge’s typical up-to-the-armpits-in-ideas-and-time writing day?

I'm almost embarrassed to say. Ten years ago when my wife and I decided to have kids I was working freelance and she had a nice steady job (she's an engineer). When our son Doug was born I became a stay at home dad (sahd, pronounced sad). Now, Doug and his brother Jimmy are both in school all day and I'm still at home.

So, the boys go to school and I write. Uninterrupted for two and half hours. We have lunch together and then I get another two and a half hours. Really, I should be writing two or three series under different names, or at least a kids' series like McKinty.

Q3. What do you do when you’re not writing?

I play with the kids. I walk the dog. I do “research” which is what I call endless internet surfing.

Q4. Any advice for a greenhorn trying to break into the crime fiction scene?

All those old cliches are true – write the book you want to read. Only put in the stuff you really like, entertain yourself. There are no rules.

Q5. Which crime writers have impressed you this year?

Declan Burke, Adrian McKinty, Brian McGilloway, Scott Philips, Sandra Ruttan, Louise Penny.

Q6. What are you reading right now?

George V. Higgins' The Friends of Eddie Coyle. I don't know how I got this far without reading it. Fantastic stuff.

Q7. Plans for the future?

More novels. My books are a sort of loose series with a large ensemble cast – main characters in one book are minor characters in others so I plan to keep going with that.

Q8. With regards to your writing career to date, would you do anything differently?

That advice I gave about writing the book you want to read? I'd have done that a lot sooner. When I finished university I got sidetracked into movies and tried to write screenplays for years. That was all about rewrites and getting notes from producers and directors and chasing “demographics” and markets and it wasn't till I said, “fuck it,” and just wrote the book I wanted that I had any success.

Q9. Do you fancy sharing your worst writing experience?

All the movie stuff was bad. But also, when I was in university in the early 80's I wrote a private eye novel and spent a long time sending out queries (typewriters, snail mail, it was the dark ages!) and actually got a few agents to read the whole manuscript. They all said the same thing – it wasn't literary enough to be a hardcover novel and it wasn't hardboiled enough to be a paperback original. I wrote another novel and heard the same thing a lot more times. I say this was my worst experience because I got so close a few times and the reason I was rejected was because my writing wasn't good enough – I hadn't fully committed to it and was wishy-washy. Those agents were right. It was really another twenty years before I wrote another novel, finally getting to the point where I just wrote what I wanted.

Q10. Anything you want to say that I haven’t asked you about?

I want to say how much I like websites like this one and Declan's Crime Always Pays and Detectives Beyond Borders and International Noir and so many more that have really opened up the world to me. People are saying a lot these days about newspapers cutting back on reviews (and they are, and that's terrible) but I've discovered more great writers in the last year than I would have in ten years of newspaper reviews. And from all over the world. I think it was McKinty who said the internet is our Paris of the 30's and as much as I'd prefer to be in some cool cafe, this is a good second choice.

Thanks for taking the time and putting in the effort.

Thank you, John McFetridge!

A Wee Review - Quiver by Peter Leonard

So, Peter Leonard, son of the great Elmore Leonard, has written a crime fiction novel titled Quiver.

I thought I’d get the father-son association out of the way as soon as possible, because I think it’s only fair to review this book as a Peter Leonard novel, not a work from the son of Elmore Leonard. You could argue that he’ll benefit from his association with his father, and if that wasn’t his intention, then why not use a pseudonym? Well, that didn’t work for Joe Hill, did it? Everybody knows he’s Stephen King’s son. And judging by the reaction to his work, everybody knows he’s a very good writer. Is Peter Leonard?

Read on.

Kate McCall is dealing with her husband’s recent death at the hands of her son, fifteen-year-old Luke, in a freak hunting accident. Suffocated by guilt, Luke has gone off the rails; failing at school, drinking and living recklessly. Enter Jack, an old flame from Kate’s past, fresh out of jail and already considering his next criminal endeavour. And as Jack bulls back into Kate’s life, he brings with him some lowlife associates from his past. And they’ve noticed that Kate isn’t short of a few greenbacks. In fact, she’s a two million dollar jackpot, primed to pay out.

Quiver brings together a colourful cast of ne’er-do-wells and pits them against our heroine, Kate. Jack’s old associates are a twisted triumvirate made up of Teddy the hick thug, Celeste the sociopath daughter of a white supremacist, and DeJuan the black hitman. Each of the key players brings a unique POV to the novel, and I think out of all of them, I enjoyed the sections written in DeJuan’s perspective the most. It’s not that he’s a likeable character. Far from it. But Leonard has given his inner monologues a distinct flavour. He doesn’t think. He busts rhymes internally. Each thought could find a place in a gangsta rap song. And it reads very well. Of course, as a whiter than white Irish man, I can only base this opinion on limited experience. Namely movies like Boys in the Hood and 50 Cent songs. Could be DeJuan is the hip hop equivalent of Dick Van Dyke in Mary Poppins. But it works for me.

Kate is a strong heroine. An early flashback proves her worth as someone not to be messed with. So we know she’s tough. But what about Luke, her troubled son? Well, that right there is her weakness, and the source of most of the book’s suspense. Leonard uses this dynamic to impressive effect. This is Kate’s story, but to a certain extent, Luke’s personal journey (or in Hollywood terms – his redemptive arc), steals the show to a certain degree.

Which leads me on to my next point. This book exudes a very cinematic quality. Short, sharp scenes. Plenty of action. Multiple POV changes and cliff-hangers. I’ll not be surprised to see this pop up on IMDB in the very near future. And you know what? I’d buy a ticket.

Quiver is an exciting thriller with a plot as sharp as an arrow point and as quick as its Darton Apache-propelled trajectory. Read it now or wait for the inevitable movie release. Either way, this novel is a step in the right direction for Peter Leonard. And I imagine there’ll be better yet to come.

That Burke Fellah Fairly Gets About

So, this must officially be Declan Burke week as it seems as if the entire blogosphere is counting the hours to the US release of The Big O.

Dec started out the week by hosting Barbara Fister's Carnival of the Criminal Minds on Monday. He put together a characteristically well thought out and nicely presented piece on the merits of a crime fiction blog.

Next up, the revelation that he'll be guest blogging over at The Rap Sheet for the entire week. And the first post is again well thought out and nicely presented. This one attempts to wrestle with the whys and what fors of the success Ireland has enjoyed in the realm of crime fiction. So, we'll have to stay tuned there.

I figure, I should think well and nicely present a post based on a bit of a coincidence I experienced earlier, related to The Big O. Coincidence, after all, is pretty much the book's central theme.

I'm reading Peter Leonard's Quiver right now. This, of course, got me thinking about his papa, Elmore Leonard. I've been meaning to bone up on the guy for a while now and chow down on some of his books. And for a very long time, I've managed to miss Get Shorty and Be Cool every time they've played on the telly. I want to see them, but it just hasn't happened yet.

So, anyway. I'm on wikipedia, reading about the big E when I notice that a new film based on one of his books is hitting the theatre in November 08. Cool, yeah? Well, dig this. The book it's based on is only Killshot. Where's the coincidence? Check out these covers.