Friday, 19 December 2014
Down Among The Dead by Steve Finbow
Down Among The Dead by Steve Finbow is a novella I didn't see coming. Published by #13 Press (and released on the 13th of December), it's the second in a proposed series of 13 novellas to be issued over 13 months. So, that's fun.
Finbow's writing style is slightly idiosyncratic. He doesn't present his dialogue in the conventional manner for a start. It's woven into his paragraphs like internal monologue; through the filter of a paranoid wreck. This creates a disjointed feel to the narrative which works well for the dual timeline that the subject, Michael O'Connor, relays to us in first person. O'Connor, a Belfast man in the twilight of his regret-filled life, may be an unreliable narrator, but his fears are very real. The scenes set in 2008 see him as a broken man with loose lips, a stark comparison to the O'Connor of 1998 who still half-believes his own Belfast bravado.
On the face of it, and because 1998 was quite a year for Northern Ireland and the peace process, I expected this slim tome to be heavy on the politics. And to be honest, I was relieved to find that this was more of a human story. An examination of regret and self-destruction. The novella really is too short a form to get too deep into that tangled mess that is the Troubles.
This is my first encounter with the author, Steve Finbow, but a quick look at his backlist shows that the unique writing style displayed in Down Among The Dead has been forged by experience. Down Among The Dead is a murky read with flashes of hard-hitting clarity. This is no Micksploitation* shoot-em-up. It aims for better and hits its mark. Touché Mister Finbow.
*Hat-tip to Adrian McKinty, an anti-Micksploitation activist.
Labels:
#13 press,
Adrian McKinty,
down among the dead,
Novella,
steve finbow
Thursday, 18 December 2014
The Blame and Stuff
Every so often I read a paragraph written by a talented bastard or bitch and I feel the urge to share it in a blog post. Today is the first day that I'll actually follow through.
Read this:
"When Donal moved into town he swore he'd go places, The Grand Opera House to watch a play, Ulster Museum to look at stuff, into the City Hall to actually see what was inside. But he never did. He stuck to the back street bars, cobbled alley ways, Kelly's Cellars, The Sitting Rooms, White's Tavern, familiar places with familiar people. It wasn't difficult to order a pint. No mistake could be made. He asked for what he wanted and he got it, and after that escapade in the cathedral, he swore to himself he'd keep it that way."
The above is all the more powerful in the context of the novella. This paragraph occurs around the midpoint of Michael Nolan's The Blame. What you don't get by reading this in isolation from the rest of the text is Donal's state of mind at this point, what went on at the cathedral (a TERRIFIC passage also) and what comes shortly after.
But here, if you want to see Belfast from a less than glossy perspective, get this novella into ye. Nolan (or Micky, as I prefer to call him), has a gift, and in The Blame he shares it beautifully. I'd compare him to Jason Johnson, not in subject matter, or even style, but in brutal honesty and a keen eye for identifying the turds that have been rolled in glitter. I'm halfway through The Blame and wishing I'd hit my writing target earlier so I could get back to it.
Fair play to ye, Micky. Keep 'er lit.
P.S. The story takes place around Xmas time. Now would be a good time to nab yourself a copy.
Labels:
belfast,
blog on,
hey mick(e)y,
Jason Johnson,
michael nolan,
Novella,
salt publishing,
the blame
Wednesday, 26 November 2014
UNDERCOVER Launch
Except it's not undercover. It's at No Alibis book store on Botanic Avenue, Belfast.
Details:
Gerard (that's me -- trying to be all official) invites you to the launch of his novel, UNDERCOVER (the first Cormac Kelly thriller) on Wednesday 3rd December at 7:30pm. The venue is No Alibis book store on Botanic Avenue, Belfast, and the book will be £8.99. So you'll have change from a tenner. Not bad, eh? I'll even make sure there's free wine, so you're getting a hell of a deal, especially if you're a dipso who isn't afraid to ask for a top-up.
Want to read a wee bit about the book?
Go on, then:
When undercover detective Cormac Kelly infiltrates a ruthless gang bent on kidnapping and extortion, he is forced to break cover and shoot his way out of a hostage situation gone bad.
Tearing through the dangerous streets of Belfast with a twelve-year-old boy and his seriously injured father in tow, Kelly desperately tries to evade the gang and reconnect the family with the boy’s mother, football agent Lydia Gallagher. But she is in London, unaware of their freedom and being forced by the gang to betray her top client.
As Kelly breaks every rule in the book and crosses the line from legit police officer to rogue cop on the run, the role of dapper but deadly ex-spook Stephen Black means the difference between life and death.
What They're Saying About Gerard Brennan
"A cheeky slice of urban noir, a drink-soaked, drug-addled journey into the violent underbelly of one of Europe's most notorious ghettos, Wee Rockets makes The Outsiders look like The Teletubbies" – Colin Bateman
"Gerard Brennan stands apart from the Irish crime fiction crowd with a novel rooted in the reality of today's Belfast. The author's prose speaks with a rare authenticity about the pain of growing up in a fractured society, shot through with a black humour that can only come from the streets. Wee Rockets is urban crime fiction for the 21st century, and Brennan is a unique voice among contemporary Irish writers." – Stuart Neville
"In Wee Rockets Gerard Brennan has written a fast-paced, exciting story of West Belfast gang culture; brimming with violence, authentic street dialogue and surprising black humour. This is a great debut novel. Brennan takes us into the heart of Belfast's chav underclass, in a story that lies somewhere in the intersection between The Warriors, Colin Bateman and Guy Ritchie. This is the first in what undoubtedly will be a stellar literary career. – Adrian McKinty
"the real deal — the writing is razor sharp, the characters engaging, the ending a blast. From start to finish it's true Northern Noir, crafted with style and wit." – Brian McGilloway
"…a Coen Brothers dream, via Belfast… Gerard Brennan grabs the mantle of the new mystery prince of Northern Ireland…" – Ken Bruen
"It needs to be said that Gerard Brennan's The Point is terrific. Scorchingly funny, black humour at its finest and the most inventive car theft ever!" – Arlene Hunt
"Noir from Norn Iron! A lean slice of grindhouse from Belfast's new crime hack." – Wayne Simmons
Details:
Gerard (that's me -- trying to be all official) invites you to the launch of his novel, UNDERCOVER (the first Cormac Kelly thriller) on Wednesday 3rd December at 7:30pm. The venue is No Alibis book store on Botanic Avenue, Belfast, and the book will be £8.99. So you'll have change from a tenner. Not bad, eh? I'll even make sure there's free wine, so you're getting a hell of a deal, especially if you're a dipso who isn't afraid to ask for a top-up.
Want to read a wee bit about the book?
Go on, then:
When undercover detective Cormac Kelly infiltrates a ruthless gang bent on kidnapping and extortion, he is forced to break cover and shoot his way out of a hostage situation gone bad.
Tearing through the dangerous streets of Belfast with a twelve-year-old boy and his seriously injured father in tow, Kelly desperately tries to evade the gang and reconnect the family with the boy’s mother, football agent Lydia Gallagher. But she is in London, unaware of their freedom and being forced by the gang to betray her top client.
As Kelly breaks every rule in the book and crosses the line from legit police officer to rogue cop on the run, the role of dapper but deadly ex-spook Stephen Black means the difference between life and death.
What They're Saying About Gerard Brennan
"A cheeky slice of urban noir, a drink-soaked, drug-addled journey into the violent underbelly of one of Europe's most notorious ghettos, Wee Rockets makes The Outsiders look like The Teletubbies" – Colin Bateman
"Gerard Brennan stands apart from the Irish crime fiction crowd with a novel rooted in the reality of today's Belfast. The author's prose speaks with a rare authenticity about the pain of growing up in a fractured society, shot through with a black humour that can only come from the streets. Wee Rockets is urban crime fiction for the 21st century, and Brennan is a unique voice among contemporary Irish writers." – Stuart Neville
"In Wee Rockets Gerard Brennan has written a fast-paced, exciting story of West Belfast gang culture; brimming with violence, authentic street dialogue and surprising black humour. This is a great debut novel. Brennan takes us into the heart of Belfast's chav underclass, in a story that lies somewhere in the intersection between The Warriors, Colin Bateman and Guy Ritchie. This is the first in what undoubtedly will be a stellar literary career. – Adrian McKinty
"the real deal — the writing is razor sharp, the characters engaging, the ending a blast. From start to finish it's true Northern Noir, crafted with style and wit." – Brian McGilloway
"…a Coen Brothers dream, via Belfast… Gerard Brennan grabs the mantle of the new mystery prince of Northern Ireland…" – Ken Bruen
"It needs to be said that Gerard Brennan's The Point is terrific. Scorchingly funny, black humour at its finest and the most inventive car theft ever!" – Arlene Hunt
"Noir from Norn Iron! A lean slice of grindhouse from Belfast's new crime hack." – Wayne Simmons
Labels:
Cormac Kelly,
Gerard Brennan,
launch,
No Alibis,
Undercover
Friday, 7 November 2014
Valberg Enhanced Ebook
Get yourself over to the Foyle Film Fest website to find out about the new ebook edition of Valberg by Desmond J Doherty, hi. Looks like an innovative use of e-publishing to me. As it says in the programme, the new edition "features atmospheric sound and film inserts produced by Jim Curran and Vincent O’Callaghan. With Valberg author Des Doherty and filmmaker Andrew Eaton."
Intrigued?
I am.
Labels:
Desmond J. Doherty,
ebook,
foyle film fest,
Valberg
UNDERCOVER Buzz
Following the wonderful discovery of a little attention thrown my way via Seana Graham's Not New For Long Blog, I figured I should share a few links to highlight the kindness from some early readers of my latest novel, UNDERCOVER.
So, first up, Seana makes me feel warm and fuzzy with her wonderful account of my writing history (from her own perspective) AND a review of UNDERCOVER.
And I was delighted with this review over at Crime Fiction Lover, from the wonderful Keith Nixon.
Tony Black was kind enough to invite me 'round to his place for a wee guest post. You can find that on Pulp Pusher.
And Anthony Neil Smith was kind enough to send me a bunch of one-word questions, and the resulting review ended up on his fine blog. Go there, read the review, tell him his hair looks marvellous.
And before all the above, there was Nigel Bird's excellent early review over at One Man's Opinion.
I've also been lucky enough to accumulate some nice reviews on Amazon. The novel is currently on a modest 5-star streak. See what they had to say on the UK site and the US site.
Thanks to all. It rocks my socks off that the novel is out there and seemingly doing what it's supposed to do; being read by wonderful people.
Friday, 31 October 2014
The Raven by Edgar Allan Poe (read by me)
Happy Halloween, folks.
Ever since the Homer Simpson version in one of the Treehouse of Horror episodes, I've wanted to have a bit of fun with this poem. I didn't do many takes (I think this one was take 2), because a bit of quiet space is hard to come by in our busy household. So, forgive the sound quality. With a little more time and peace, maybe I can do better. We'll see next year.
For now, have a listen:
The image is my own tattoo. This was done by the fabulous Gigi McQueen of Timepiece Tattoo.
Ever since the Homer Simpson version in one of the Treehouse of Horror episodes, I've wanted to have a bit of fun with this poem. I didn't do many takes (I think this one was take 2), because a bit of quiet space is hard to come by in our busy household. So, forgive the sound quality. With a little more time and peace, maybe I can do better. We'll see next year.
For now, have a listen:
The image is my own tattoo. This was done by the fabulous Gigi McQueen of Timepiece Tattoo.
Thursday, 30 October 2014
The Bouchercon Post
I'M GOING TO LA FOR BOUCHERCON 2014, MOTHERFECKERS!
Ahem.
Yes, affectionately subtitled "Murder at the Beach" this year around, Bouchercon is a MAJOR crime fiction convention that tours America. This year it hits California, baby. I'll be in Long Beach, California(!), in just a couple of weeks. And I need to thank the Arts Council of Northern Ireland for making this less financially irresponsible on my part. They're paying for my flights, thank feck. And yes, I know I'm lucky to live in a country that supports their artists so solidly. I also work my arse off.
Anyway, I'm lucky enough to be on the Noir at the Bar bill (check out the names on the poster below) and to have a spot on the Belfast Noir panel, moderated by the wonderful detective without borders who goes by the name of Peter Rozovsky.
Click the pic for a closer look |
Details of the Belfast Noir panel can be found on Peter's blog. The man's been around the Bouchercon block a few times, and I've met him in person more than once, so I know he'll be cool. Plus I've read plenty of work from, and met in real life, my fellow panel members (all through No Alibis, funny enough); this panel is going to be a blast.
I'm not sure about the Noir at the Bar etiquette, but considering that this is my first trip to America, nevermind LA, and that I'll be a jet-lagged, wide-eyed eejit, straight off the proverbial potato boat, I think it might get a little messy.
Oh, Janey Mac, I can't feckin' wait.
Labels:
belfast noir,
bouchercon,
california,
long beach,
noir at the bar,
Peter Rozovsky
PODCE for FREE
EDIT (30/10/14) Free again until Tuesday 4th November.
EDIT (05/08/14)! It's probably not free right now, but it'll not cost you much, like.
This wee collection hasn't gotten a whole lot of consumer love in the last few months. Sales have been in single figures, in fact. It's a decent enough collection, so I thought I'd try and boost its profile a little. So, it'll be a Kindle freebie for three days starting some time tomorrow.
Get some.
Go on.
It's got some nice reviews over on the Amazons. Got to be worth the time it takes to click that 'buy it now' button.
Amazon UK
Amazon US
Incidentally, the collection includes the tale An Irish Possession, which was performed as a one-man show at The Black Box in 2010. That was fun.
Ken Bruen on FIREPROOF
“…Also, I'm in a monogamous relationship, so I don't really agree with orgies."
"Sacrifices and orgies have nothing to do with the religion. All that shit was developed by people who wanted to kill things and shag a lot. That's not what it's all about."
"That right?"
"Yeah. I've been working hard to try and shake that kind of misconception."
"Working as what?"
"A representative of Lucifer. I was sent here to build a Satanic Religion."
"Okay. Why did Lucifer think a tattoo parlour was the best place to start?"
“This is just one of the various scintillating hilarious surreal chats in Fireproof, the new novel from the excellent Gerard Brennan.
Phew-oh, GB's début was terrific but this is a huge leap forward, an assured fully-formed artist in total control of his art.
Equally hilarious and jaw-droppingly violent at once.
Reading this novel was a total blast.
Catapults GB to the very first league.
And… you'll never… ever see Cadbury's n' Nestle in quite the same or indeed sane fashion again.
Superb.
Thanks, Gerard, for a wondrous read.”
From Ken Bruen, Shamus award winning author of Headstone
“This is just one of the various scintillating hilarious surreal chats in Fireproof, the new novel from the excellent Gerard Brennan.
Phew-oh, GB's début was terrific but this is a huge leap forward, an assured fully-formed artist in total control of his art.
Equally hilarious and jaw-droppingly violent at once.
Reading this novel was a total blast.
Catapults GB to the very first league.
And… you'll never… ever see Cadbury's n' Nestle in quite the same or indeed sane fashion again.
Superb.
Thanks, Gerard, for a wondrous read.”
From Ken Bruen, Shamus award winning author of Headstone
Labels:
blasted heath,
fireproof,
Gerard Brennan,
Ken Bruen
Saturday, 25 October 2014
Welcome to the Octagon Kindle Freebie
For the first time ever, Welcome to the Octagon, a Fight Card MMA novella, is free to download on Kindle. And it's a UFC weekend! I mean, come on! Just because our hero, Conor McGregor, doesn't have a spot on UFC 179 doesn't mean you can't get your fill of Irish fighters. This Belfast set tale of underground MMA and predatory gangsters will rattle your dome worse than a well-placed roundhouse.
Don't believe me? Here's a little love from the great Peter Rozovsky of Detectives Beyond Borders:
"Brennan knows how to keep a story moving, planting narrative hooks toward the ends of his chapters and throwing in at least one character wrinkle unlikely to have shown up in an old-time boxing story. But what may have impressed me most is his engagement with MMA, a sport until now shoved somewhere back in my consciousness next to street luge, half-pipe, and bicycle motocross. MMA is compounded of styles and techniques taken from many fighting sports, and Welcome to the Octagon is full of observations about the resulting complexity and the demands it places on the fighters.
"Welcome to the Octagon has heart, humor, and respectful engagement with its subject. What's not to like?"
Read the entire blog post (and the fun debate in the comments section) right here.
And get your copy of Welcome to the Octagon at the relevant Amazon territory:
UK
US
CA
DE
If you want me to add your territory, just leave a comment and I'll edit the post.
Freebie offer ends 29th October 2014.
Here's a little more info on the wee book:
FIGHT CARD MMA: WELCOME TO THE OCTAGON
Belfast 2013
Mickey The Rage Rafferty has gone through some tough times, but he's not ready to tap-out just yet. The Belfast widower has to take care of his eight-year-old daughter, Lily. However, his main talent is fighting and the only way he can make enough money off it to support his girl is to take dodgy underground matches paying off in bloodstained cash. Mickey’s trainer, Eddie Smith, doesn't approve. He wants his most promising student to step into the cage as a real martial artist, not as a fool for thugs and gangsters.
With Eddie on the verge of cutting him loose, Mickey is up against the cage – crushed between fast cash and a legitimate career. Mickey has some big decisions to make and some even bigger opponents to face.
The MMA life can be harsh, and it’s never easy ... Welcome To The Octagon.
Labels:
Gerard Brennan,
kindle freebie,
mma,
ufc 179,
Welcome to the Octagon
Thursday, 23 October 2014
Go! Get Your POV On
Have you seen the movie Go (1999)? It's on Netflix (as is Swingers which has a directorial connection with Go), so if you haven't and you have access to it, I highly recommend that you check it out.
You see, I've been asked a few times about my influences. I usually tell people that life is my influence. This sounds a bit wanky and artsy (those aren't always the same thing) but to my mind it's true. Also, it's really hard to choose a writer who influences your writing when there is so much talent out there, especially since I cast my reading net quite widely. So if I didn't say, "Oh, I'm influenced by everyday life, really," my answer would be more like the question, "Have you read this guy, this girl or these people?" The response to that would be a blank stare. I'd ask you, "Have you seen this bunch of movies, then?" and list off a load of flicks that were based on books I've read and enjoyed. More blank stares. Then I'd move on to original screenplays, TV series, cartoons that my kids force me to watch... yadda, yadda, yadda.
Everyday life it is, then.
Except I re-watched Go for the first time in years. Possibly a decade. Apart from the fact that the movie has aged incredibly well, it's also a hell of a lot of fun. And behind that fun is a shitload of technical prowess in terms of writing (I'm a writer blogging about this from the perspective of a writer BTW so I'll not go into the great job the cast and crew did as well), from which a writer in any form could learn a trick or two.
For instance; I watched it over three days as a lunchtime treat to get away from the current manuscript once in a while. The structure of the movie lends itself to this style of viewing beautifully. The same timeline is basically retold three times from three different perspectives with the last ten minutes of the flick devoted to tying the movie up. Shot from Ronna, Simon and Adam & Zack's POVs respectively, it's basically a tale about having a little too much craic and the trouble that can bring.
As I watched, laughed and shook my head at some of the characters' exploits, I got to thinking that this was the style I'd been going for in the Point series of novellas (of which only two have been released so far -- there will be more, count on that) and the hapless characters that inhabit that universe. They're not particularly bad people (the protagonists, I mean, not the scumbags they get mixed up with), but they are pretty loser-ish.
In a few interviews and conversations I've asked about the direct influences on Breaking Point, the most recent Point novella. I answered with reference to the movie Pineapple Express. I would have preferred a prose example, but I couldn't think of one. And if I'm honest, I wasn't altogether comfortable with that comparison anyway. Pineapple Express is far funnier than anything I've written. The darkness is there, as it is in most of my work, but I can't compete with those chuckles a line delivered by Danny McBride or Seth Rogen can get. Go, though... it has a lot of laughs in it, as well as the hectic storyline and somewhat more realistic idea of consequence. Go is the movie that I should really compare most of my writing to. And if I did that more often, I think I'd write better books.*
Trailer:
*Disclaimer: By no means am I damning my work as substandard, by the way. I'll leave that to the critics who, for the most part, have been very kind to me. And I'll keep the artistic anguish, if and when it occurs, to myself.
Labels:
#amwriting,
breaking point,
go,
pineapple express,
pov,
The Point
Breaking Point - Chapters 1 and 2
Can’t Get No Sleep
Brian Morgan stood by the side
of the bed and looked down at his girlfriend. It wasn’t even
midnight and she was dead to the world. Still breathing, but dead to
the world.
He gripped the edges of his
pillow tight.
Rachel O’Hare didn’t snore.
Her breathing never seemed to catch a steady enough rhythm for it. At
random intervals she made a noise, somewhere between a sigh and a
moan. Brian wondered if that meant she was dreaming. And if so, did
she suffer the same nightmares he did.
“I love you, Rachel,” Brian
whispered, half-enamoured by the idea that she might be able to hear
him. “But sometimes I don’t know whether to kiss you or kill
you.”
And he meant every word of that
shitty cliché.
Even if he didn’t have the
guts to do the deed.
Brian gave his aching hands a
rest and hugged the pillow to his chest. He studied Rachel in the
faint strip of light cast by the bare bulb in the ensuite bathroom.
She still managed to look
pretty, even with sleep-lines, a slack jaw and a string of drool
running from the corner of her mouth to the pillowcase. Her face
would convince the most cynical that she was one of the innocent
ones. Brian knew different. So did his dead brother.
He rounded the bed and gently
laid his pillow down on his side of the queen-size. On his way to the
ensuite, the loose floorboard creaked. Rachel gasped and the mattress
springs clicked and boinged.
“Brian?”
“Aye.”
“Coming to bed?”
“Going to the toilet.”
“Come to bed after.”
“Aye.”
He had no intention of trying
to sleep. It didn’t matter. Rachel would have no recollection of
asking him by the morning. They’d been through this more than once
before.
Brian checked the mirror above
the sink and ran his hand over the stubble on his head. He still
wasn’t used to the look or the feel of his new haircut. The
clownish curls were gone for good. He appeared older, harder and more
serious than he felt. Maybe a little thinner too. He forced a smile
and saw the ghost of his old self in the reflection. Then he let the
well-worn frown take over again.
“More muscles to smile than
frown? My hole.”
He threw some toilet roll into
the bowl to soften the sound of his pissing. When he was done, he
shook off and tucked in, but didn’t flush. He washed his hands,
ignored the toothbrush and left the ensuite without pulling the cord
to turn off the light. Rachel preferred to sleep with it on. It would
suit him better if she didn’t feel the need to get up and turn it
back on again.
Brian made it down the stairs
with the balance and poise of an alley cat on a razor wire-topped
wall. He knew by now which ones made the most noise and how much
weight the handrail could take before the loosened spindles groaned.
In the kitchen, he closed the
door gently, took a bottle of beer from the fridge and his tobacco
tin from the medicine cupboard. He popped the beer open with his
teeth and thumbed the lid off his tobacco tin. There was plenty of
Golden Virginia, and a couple of packets of rolling papers. He didn’t
realise he was so low on weed, though.
Stony Tony
Tony Barnes clicked pause on
the instructional video. He backed away from his laptop to give
himself enough space to perform the move. The Praying Mantis
techniques seemed a little easier to pick up than the Crane styles
he’d been studying the day before. The wide stance better suited
his lower centre of gravity and there were fewer high kicks. He
really needed to work on his flexibility. The ability to perform an
impressive roundhouse kick was a must if he wanted to attract
prospective students.
He held his hands up in a
classic boxing guard then hooked his wrists so that his fully
extended fingers pointed to the ground. Already he felt like the
noble praying mantis. The technique looked dead flash without being
too difficult. He’d download a few more of this particular kung fu
master’s videos to emulate.
Tony unleashed a flurry of
strikes. He wasn’t entirely sure, but he had a suspicion that he
might break his own fingers if he hit somebody with his hands angled
this way. That wouldn’t be good. He went back to the desk and took
his spliff out of the ashtray. It needed to be relit. He sparked it,
drew deep and thought about Praying Mantis kung fu. It looked the
part, but he wasn’t totally sold that it would work for him. Still,
it’d be a nice wee demo technique.Maybe try some Tiger style next.
Tony rattled the phrase into
his search engine and clicked on the first result. It amused him that
so many of these supposed kung fu masters were American. Where were
all the little old wise Chinese men?
He bookmarked a video that
featured a man with an impressive biker’s beard and a solid round
gut that was just a little bigger than his own. The joint had burned
down to the roach. He took a last pull that almost roasted his lips
and held it in his lungs for half a minute. His vision darkened at
the edges and he exhaled.
Time to roll a fresh one.
Tony pulled open the desk
drawer to grab his bag of weed and his papers. He tutted when he saw
that there was barely enough in there to fill a single-skinner. His
stash was tapped out. He’d have to skim a little off the stock.
Don’t get high on your own
supply? Bullshit. Spread the skim over enough baggies and he’d be
sweet. A true stoner customer wouldn’t sweat it even if they did
figure out their deal was a little light.
But he’d have to call Malachy
about topping up his personal stock.
His mobile rang. He drew the
knackered Nokia out of the pocket of his silk Chinese suit, checked
the caller ID and smiled.
“Malachy. I was just thinking
about you.”
“And did money feature in
those thoughts?”
“Yeah, sort of. I need more
stock.”
“You still owe me for the
last three orders.”
Three?
He hadn’t realised he’d gotten that deep into debt. He forced a
confident and cheery tone.
“Yeah, yeah. No worries there
at all, man. I’ll sort you out. Expecting the cash to flow in when
I start this new thing I’ve gotten into. Soon as I get paid the
money’s going straight to you.”
“You’re telling me to wait,
then? Hold off a few days? Is that it?”
“I’d never tell
you to do anything, Malachy.”
“Great. I’ll be there
soon.”
Malachy cut the call and Tony
slipped his mobile back into his pocket. He looked about his living
room. The only thing of real value was his laptop. And it was a year
old. Depreciating by the second. He needed it, too. It was his
gateway to the world of kung fu. Without it, he couldn’t keep
abreast of the techniques he would teach when he opened his club.
Tony hit play on the Tiger
style video. He hoped to God it was effective and easy to pick up.
Want more? Visit the Blasted Heath website for ebook links.
But you might want to read The Point first.
But you might want to read The Point first.
Labels:
breaking point,
ebook,
free sample,
Gerard Brennan,
Novella,
the point series
Wednesday, 22 October 2014
UNDERCOVER - Chapter 1
Chapter 1
If you're standing between me and the goal, you're not my friend.
Rory
Cullen, CULLEN: The Autobiography
Cormac Kelly nibbled on the inside of his ski mask. He'd been given the only one without a mouth-hole and it was driving him nuts. The damp fibres irritated his lips. He'd already swallowed four or five little balls of chewed wool but couldn't stop himself from biting off another tiny piece. They stuck to the walls of his dry throat. He'd be hawking up hairballs all night.
It didn't matter
what line of work you were in, the new guy always got the crap. A ski
mask with no mouth-hole, a dinged-up old Ruger Security Six revolver
in serious need of a clean, and the shittiest job – babysitting.
The kidnapped man
slumped in the middle of a bare mattress pushed up against a damp
wall. The boy sat slightly apart from his father. His knees were
drawn up to his chest and his arms wrapped around his shins. His head
tipped back to rest against the wall. He hadn't uttered a peep since
Big Frank had scared him with a few dummy digs for the camera. Once
or twice the boy had glanced at his father with disappointment etched
deep in his face, as if he wondered how his guardian, his hero, his
protector, had let them get into this mess.
And it didn't look
as if Daddy was going to spring into action mode any time soon.
Although the boy wouldn't understand it, this was the best thing his
father could do for him. Heroics got people killed.
Big Frank
blundered into the room. He moved without grace and his footsteps
clapped like thunder. The boy tensed at the sight of the juggernaut
who'd bullied him for the camera. Built like a silverback on
steroids, Big Frank would scare the life out of most men. Put him in
a ski mask and he became the stuff of nightmares. His lips stretched
wide as he treated Cormac to a craggy-toothed smile through the
mouth-hole of his ski mask.
"The boys are
waiting for the bitch at the cottage."
The father's frame
tensed. He breathed deep but didn't complain. The boy shot a death
stare at Big Frank. Looked like he was ready to jump up and lamp the
giant. Fiery wee bastard.
Cormac kept an eye
on the boy as he responded to Big Frank. "Great."
"Aye, she'll
be scared shitless. That wee video turned out a beezer."
"Okay."
"Amazing what
you can do these days, isn't it? I mind a time when you'd have to
send fingers through the post to get what you wanted. Everything's
digital now."
"Aye."
"It's like
living in the future."
Cormac could see
that Big Frank's brainless chatter poked at the boy like a rusty
spike. His little fists clenched up into white-knuckled knots of
fury. He was bound to do something stupid if Cormac let the oaf
ramble on.
"Would you
put the kettle on, mate?" Cormac said. "I've been gasping
for hours."
Big Frank took a
step back. "Get away to fuck. You think this is a day at the
office?"
"Don't know,
big man. Aren't you the one gabbing away like we're on our tea
break?"
Big Frank's teeth
disappeared behind a tight-lipped slit. He turned in a clumsy
half-circle and headed for the door.
Cormac couldn't
resist a parting shot. "And tell that other fat shite-bag to
come in here and do a turn. He's not even offered me so much as a
toilet break."
"You can piss
yourself, you wanker."
Big Frank
clattered out of the room and slammed the door behind him. The father
and son flinched, though Cormac thought he could see the trace of a
smirk on the boy's face. He was tempted to engage the young fellah in
some idle banter but knew it to be a bad idea. So he went back to
chewing on his damp balaclava. It passed the time.
###
Lydia Gallagher stepped onto the cast-iron doormat of the cottage and rummaged through her handbag for the key. Her rain-soaked hair clung to her face. She wished for an umbrella, gave up the hunt for the key and hammered on the door with the side of her fist.
Footsteps thudded
on the other side of the windowless slab of oak and she brightened in
anticipation of John's welcome. It had been a long day and she craved
a decent glass of Pinot. She turned to wave her taxi away. Its tail
lights disappeared behind the hedging on the side of the main road.
The door creaked
open. Lydia gazed deep into the twin barrels of a sawn-off. The
shotgun's hollow stare watched without passion. She took one step
backwards. Gravel scrunched under her heel.
Run.
But she couldn't.
Lydia looked over
the sawn-off at the gunman. Eyes as dispassionate as the shotgun
muzzle nestled in the peepholes of a black ski mask. She raised her
hands.
The gunman reached
out and grabbed Lydia's lapels with his free hand. He kept the
shotgun trained on her face and walked backwards into the hallway.
Lydia followed without resistance. She listened out for her family.
Nothing. The light in the kitchen was out. A telltale sign that
Mattie, her son, hadn't mooched in the cupboards for a pre-dinner
snack. Whatever was going on had started a few hours ago.
"Where are
they?"
The gunman said
nothing. He yanked her into the living room.
The television
played on mute. Two more masked men sat on the sofa and gazed into
the pale blue light of a documentary about sharks. They didn't look
up at her, but Lydia noticed one of them lift a handgun from the arm
of the sofa and thumb a little switch on the side. Acknowledgement
enough.
She tried again.
"My son. My husband. Where are they?"
The silence crept
into her bones. She could have screamed, but it seemed wrong. Like
belting out a football chant in a chapel.
The first man
shoved her into the armchair closest to the TV – furthest from the
door. He stood in front of her. Lowered his sawn-off.
"What the
fuck do you want?" Lydia was hyper-aware of her London accent in
the eerie calm. She could feel the panic take hold of her heart. Claw
at her lungs. Tie knots in her bowels.
The man with the
sawn-off leaned forward and back-handed her across the face.
Instinctively she kicked out at him. Her leg arced upwards as she
aimed her shin at his groin. He parried her kick with his knee and
slammed the palm of his hand into her forehead. The dull thwack
juddered her vision and shoved her head against the back of the seat.
She blinked away black dots. The pain faded quickly but left a
hangover of weakness and humiliation.
The men on the
sofa shifted forward and perched on the edge of their seat. With
elbows on knees, they watched. Lydia tried not to think about what
they might be expecting to happen. She squirmed. Needed to pee.
"Take off
your shoes."
The gunman's
Belfast growl matched his mask.
Lydia raised her
hands to ward off another attack. "What is this? I don't… Are
you an IRA man?"
He swept her hands
to the side and slapped her again. It stung like he'd shoved her face
in nettles. One of the sofa jockeys sniggered.
"Shut your
mouth and do as you're told, wee girl."
Lydia kicked off
her heels. The tingle of fresh circulation in her toes didn't bring
the usual relief. All she felt was fear and confusion. She didn't
understand why he wanted her shoes. Maybe he was worried that she'd
try and hit him with one of them. She prayed that he wouldn't ask her
to remove anything else.
The gunman punted
her shoes into the corner of the room.
"Give me your
handbag." In his thick Belfast accent it sounded like he wanted
her hawndbeg.
Lydia handed it
over. He studied the brand logo on the buckle.
"Is this a
real Lewis Vuitton?"
Lydia paused a
second before she nodded.
He curled his lip
in distaste and tossed the bag into the corner with her shoes. The
contents clattered.
"Now your
coat."
"How far is
this going to go?"
"Don't
flatter yourself, love."
Lydia struggled
out of her knee-length coat. She was afraid to stand in case she
earned another slap so she shifted from side to side as she dragged
it out from under her bum. Just another indignity.
The gunman threw
the woollen coat into the corner and moved to the other armchair. A
black canvas holdall sat on the cushion. He unzipped it and poked
around inside.
Lydia's skin
tightened into gooseflesh. The house was cold. It smelt wrong. The
scent of strange men.
The gunman pulled
a smartphone from the holdall and handed it to one of the sniggering
sofa jockeys. "Get the thing working."
He tapped the
screen a few times and passed it back to the gunman. He brought it to
Lydia and dropped it in her lap.
"Watch."
Lydia picked up
the phone and squinted at the little display.
A masked man stood
over Mattie – her thirteen-year-old son – with his fists curled.
Mattie scuttled backwards on all fours, his mouth pulled back in a
ghost train grimace.
Lydia sprang out
of the armchair and launched herself at the gunman. She clawed at his
eyes and caught a handful of ski mask. The gunman danced backwards
and batted her hands away. He was light on his feet and skilled.
Lydia shrieked and stepped up her attack. Swung arms and legs at the
dancing bastard. He sidestepped. Buried the butt of his sawn-off into
her solar plexus. Air whooshed from her lungs. She wheezed and
crumpled face-first into the carpet. Hitched her breath, sputtered
and pulled her knees under her chest.
The ten seconds of
footage from the video clip played on a loop in her mind.
She cried.
A rough hand
seized a fistful of hair from the back of her head and hauled her to
her feet. She tried to strike out behind her with the heel of her
shoeless foot. Earned a kick in the backside for her troubles. Hot
breath blasted in her ear.
"Settle
yourself."
The fight drained
from her and she sagged. The gunman practically held her up by the
hair. He led her back to the armchair and dropped her into it.
The gunman
adjusted his ski mask and sighed. "Your son hasn't been hurt.
Yet. Neither has your husband. But we will hurt them if we
don't get what we want. Hurt them a lot and then kill them. Let that
sit with you for a second or two. See how it makes you feel."
Lydia gripped the
arms of her chair. She opened her mouth to speak.
The gunman raised
a gloved finger to the lower part of his ski mask. Lydia clamped her
mouth shut.
"Now, Missus
Gallagher. You listen to me and do exactly as I say."
She swiped fresh
tears from her eyes with the sleeve of her suit jacket. "Okay."
###
Cormac had almost gnawed himself a ragged mouth-hole when Paddy waddled into the room. Paddy weighed about as much as Big Frank did, but he was made up of doughy fat that drooped from his bones like custard in a condom. His arms were always in motion as if they couldn't find a casual spot on his soft body to rest against. Paddy was the lame duck of the crew. A blood connection with the boss was the only thing that booked him a place on these jobs. And yet, he still ranked higher than Cormac.
Paddy brandished
the hi-tech phone that they'd filmed the boy and Big Frank on. "I've
the woman on the blower. She's to talk to the kid."
Cormac flapped his
hand at the boy. Paddy walked past the father to hand over the
mobile. The boy took a deep breath before speaking.
"Hello…?
Yeah, it's Mattie, Mum." He screwed up his face. "I'm
fine." Then he glanced at his father, his young face hardened.
"Yeah, he's okay too."
Paddy snatched the
phone away from Mattie's ear and pressed it to his own. "Right,
that's all you get for now, missus." He disconnected the call.
Cormac nipped
across the room to cut the departing Paddy off at the door.
"Lend us the
mobile for a bit, will you?"
Paddy gave Cormac
one of his watery-eyed looks. His nose twitched visibly under his ski
mask. "What for?"
"I'm bored
shitless here. Wouldn't mind a wee tinker on it to pass the time."
"You going to
call one of them dodgy numbers, big lad? Heavy breathing and all
that?"
"Fuck off.
I'll just piss about on the apps or something."
"What are
apps?"
Cormac shook his
head. "Can I have it or not?"
Paddy shrugged and
handed over the touch-screen phone. "Whatever. Just don't get
too distracted, all right? You're meant to be working."
"No sweat,
boss."
Paddy puffed his
chest and his considerable man-boobs strained the front of his black
cotton shirt. Suitably inflated by an ounce of respect, he gave
Cormac a curt nod and waddled out.
Cormac turned his
back to the family, gave the phone a quick once over, then flipped
open a tiny flap on the side of the casing. He took a miniscule
memory card from the watch pocket of his jeans and slipped it into
the slot. A few taps of the screen later and he had the video of Big
Frank threatening Mattie on the card. He ejected his little piece of
evidence and tucked it back into his watch pocket.
Labels:
blasted heath,
Cormac Kelly,
Gerard Brennan,
sample chapter,
Undercover
Thursday, 16 October 2014
Future Posts
I'm up to my neck in a manuscript right now, but I plan to take a breather from it next week (I'm at the point where the questions raised need to be answered -- the mysteries need to be revealed) and then I can maybe do a little blogging.
So, before I forget all the topics I want to blog about (and before I make my lunch), I thought I'd turn this blog post into a list of posts-to-be-written. Some will be made available for guest posts. I receive lots of lovely invitations from people who run better blogs than mine, and I really have to follow up on them.
Topics/titles:
Writing and Happiness
Academia
Teaching Creative Writing (should/would/could?)
The Rory Cullen 'Auto'biography
POV in the movie Go (1999)
More on Behaviourist POV
I'm Going to Bouchercon! (Long Beach, 2014)
Wordcounts, Record-Keeping and Taking it Easy on Yourself (may be a two or three-parter)
Belfast Noir
A Review or Two of NI Crime Fiction
Please Don't Send Me Books Without Asking (unless you know me and it's a gift)!
Deus ex Machina
I'll add to this as the topics re-occur to me. Feel free to request one for your blog, and I'll see what I can do. And as always, if you're a Northern Irish writer and you want to be featured on the blog (most likely in the form of a Q&A, though I host guest posts too), then drop me a line. I'll get back to you eventually.
Peace.
Saturday, 11 October 2014
Paperback Pricer
EDIT, 13/10/14: You snooze, you lose (out on saving a couple of quid). I've put the price up to £8.99. Still a quid cheaper than it'll eventually be. Might even set the price at over a tenner to take advantage of Amazon's free delivery, but for now, it's £8.99.
It'll be a couple of hours before the Amazon page updates, though, so you still might get it for £6.99 if you get clicking right now.
Ahead of a bricks and mortar launch for the paperback version of UNDERCOVER, I've managed to put together a version that I'm proud of through a print on demand service. That means a great version of the cover thanks to those generous professionals at Blasted Heath (thanks, Kyle!). Blasted Heath were also cool enough to send me the mega-edited and proofread-to-within-an-inch-of-its-life version of the manuscript. I've also paid for professional typesetting. And I've been assured by people better qualified than me that I spent my money well in this area.
The launch will be in early December. I'm sure you can guess which independent bookshop in Belfast has given me the go ahead for this. Really looking forward to it. Here's the thing, though. I know many of you wonderful UK and Ireland readers out there can't shop in Belfast. Also, I wish that I had some way of sending out free proofs without imagining that I've set fire to a wad of money that should set aside for household expenses.
So, what can I do?
Work with what's available. I can't offer free books, but I can lower the price for a few days so that I don't actually make a royalty on it.
Well, if I'm completely honest, I've set it at a royalty so small that I'd have to sell 143 copies to cover the typesetting, which was a deeply discounted "mates' rates" fee to begin with!
But, yeah. Boo hoo, right? So I'll not make a living out of paperback sales just yet. That's fine. I've mostly put this version of UNDERCOVER together to please those who prefer an actual book to an e-reader. And I honestly don't mind losing out on a little money so long as there's food in the fridge. There is.
So, until Sunday night (or Monday morning depending how quickly the price update applies), you can get UNDERCOVER as a real book for the lowest price I can set it at.
£6.99.
And what's the standard comparison? A cup of coffee? You'd maybe get three large Americanos in a half-decent coffee shop for that price. You wouldn't get two pints of lager for £6.99 at your local pub unless there was a promotion on. You definitely can't get a fish supper for that price in the town I live in... do I need to go on?
Purchase the UNDERCOVER paperback here:
UK
US (and ROI, I think...)
CA
Monday, 6 October 2014
An Interview - Nathaniel Joseph McAuley
Belfast-based poet and recipient of the 2014 ACES Award from the Arts Council of Northern Ireland. His debut pamphlet “The Dyer’s Notes on Indigo” was released early 2013. He currently facilitates poetry workshops for INST Belfast.
Any advice for a greenhorn trying to break into the poetry scene?
I’ve been asked this a few times recently — I still don’t know whether to answer and give the impression I’m not a greenhorn myself. I’d just say not to get caught up in the traditional ideas of what it is to be a poet — if you take yourself off into a forest to write your epic, fair play, but its perfectly fine to be cocktail bartender who loves Neil Diamond.
Which writers have impressed you this year?
I’ve spent this past wee while reading up on the Irish and British poetry that I should have been reading during my years in university, when I was more interested in North American and Afro-Caribbean poetry. So, Ted Hughes, Seamus Heaney and especially Michael Longley.
What are you reading right now?
I’m reading a great book about the history of gin and its social implications on 18th century London — Gin Glorious Gin, by Olivia Williams…
Plans for the future?
…for a new project — more on that later though.
With regards to your writing career to date, would you do anything differently?
I would have taken myself less seriously sooner.
Do you fancy sharing your worst writing experience?
Before I knew what constituted half decent poetry, I wrote a poem for a girl who was more than aware of was constituted half decent poetry. It was not a half decent poem.
Thank you, Nathaniel Joseph McAuley!
Wednesday, 1 October 2014
UNDERCOVER Paperback (and some tl;dr economics)
Okay, people. It's here.
The one question I constantly get asked about my books is, "Where can I buy the paperback?" If you're a local (local to me, at least, or within a reasonable drive to Belfast), the answer is easy. No Alibis Bookstore, all day long.
Here's the thing, though. Most of the people who ask me, don't go to bookshops. Usually they're just asking me out of politeness.
Now, I've worked with (and had a publisher or two work on my behalf with) the larger chain stores. They're not even entirely massive chains, but once you start introducing managers and people who work with spreadsheets and guys with calculators glued to their hands (not a criticism -- some of these people could lose their job without that stupid digital abacus), then things get complicated. And I have a complicated enough life. I'll not chase down some accounts payable keyboard monkey to claim the 50p I'm owed for the one title of mine they sold some time last year.
So, as magical as it is to walk into a random shop and see that my title has been stocked without me having to stalk half of the store's workforce, I'm not going down that avenue with UNDERCOVER.
Here's what I'll do instead:
I'm going to ask No Alibis to carry a small number of copies of UNDERCOVER for me (and hope that Dave is cool with this). And that's it. If you don't want to deal with Amazon (a word I don't use in independent bookstores for many of the same reasons that I don't drop C-bombs in chapels or churches), you have to deal with No Alibis. This will happen in October(ish). I haven't decided whether or not to sort out an official launch yet. I've a feeling the No Alibis BELFAST NOIR launch (date to be confirmed) will be adequate. But we'll see.
The other thing I'm going to do, is purposely make the book more expensive to buy via CreateSpace/Amazon. It'll be set at a 9.99 RRP. No Alibis will sell SIGNED copies a little cheaper.
But here's the thing. Just to get things moving a little, I'm going to allow it to sell at £8.99 for a few days. So, if you want a slightly cheaper copy... go here today and pick it up.
This isn't any grand marketing scheme or a well thought out financial tactic. I simply priced it incorrectly by mistake when I set up the Amazon page. Take advantage of my hamfisted generosity.
All the above applies to copies sold in the UK, I should say. I'm not great with conversion rates and whatnot, so if the price of the paperback version of UNDERCOVER looks particularly inflated in your territory, let me know. Chances are my deficit in knowledge of global economics is to blame. Also, if it's worth my while and not a fucking rigmarole, I'll try to work something out for book festivals, but if you want me to start printing off invoices and all that shite just so you can not pay me for over a year, don't expect me to waste my paper or ink.
Links for purchase of UNDERCOVER:
UK
US
CA (link currently unavailable)
The rest of you, use Google. If that seems dismissive to you, please feel free to let me know, but to the best of my knowledge my books only really get noticed in the above territories.
Things you should know before you part with your hard-earned cash:
The cover is gorgeous
The book feels nice in your hands
It's been edited and proofread to within an inch of its life
It's been typeset by somebody who knows what they're doing
I wrote it
4/5 ain't bad.
Did that all sound a bit grumpy? I've not allowed myself a weekend off in a while. Blame it on that.
Labels:
buy the book,
Gerard Brennan,
No Alibis,
paperback,
Undercover
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