Stephen
King is probably the greatest living writer.
If
you read that statement and immediately thought it was wrong and such
names as Martin Amis, Jonathan Franzen or Salman Rushdie sprung to
mind, you would be well advised to stop reading at this point, have a
lie down and then enjoy some herbal tea.
I’m
not an intellectual. I don’t enjoy literature
(whatever that is) as much as crime fiction or thrillers. Kingsley
Amis, Martin’s father, felt the same way. He liked thrillers and
preferred Ian Fleming to Flaubert (much to the chagrin of his son).
By
the way, in case you’re wondering whether you yourself are an
intellectual, you can always tell by taking Billy Connolly’s test.
The
test is simple – If you can listen to the William Tell overture
without thinking of the Lone Ranger, you’re an intellectual.
Still
here?
Good.
Apart
from his considerable gifts as a novelist, Stephen King is a
marvellous wit, raconteur and a man of considerable patience. One of
his tales concerns an encounter with an elderly fan who had
particularly poor timing. When touring, King would usually spend his
early mornings doing the rounds of various television and radio
breakfast shows, promoting his latest novel. In the afternoon there
would be signings and events, in the evening a dinner with
booksellers and industry people before either a late flight or a
ridiculously early start the next day. Even if you’re doing
something that you love, that kind of schedule is exhausting and when
this particular story takes place, King is at that stage of the tour
where he was feeling pretty wrung out.
During
one such dinner, King felt a dark and powerful force take hold of
him. It started with a fever, then cold clammy skin, followed by a
surge in his bowels that could only be described as ‘commanding.’
He left the table in a hurry and dashed to the newly refurbished
bathrooms in the stylish 80’s restaurant where he was being treated
to dinner. The bathrooms were, well, very
new, in that the bathroom stalls had no doors. By that I mean, no
door, not a half door, not even a screen, nothing - just a cubicle
wall on either side of a proud, and very public, toilet. King rushed
past the bathroom attendant who looked to be 105 years old and sat
down to empty what, at that stage, felt like his very being.
Head
resting against the cold tiles lining the stall, his trousers at his
ankles, wondering (a) if he would ever walk again and (b) how much
ice he could pack into his underwear - King shuddered, swore under
his breath and closed his eyes as the ancient bathroom attendant
shuffled towards him, pad and pen in hand – ‘I
saw you on breakfast TV Mr King, can I have your autograph?’
Did
he sign it?
Of
course he did.
He’s
Stephen King.
The
attendant was obviously star struck and no matter what, he wanted
that autograph.
I
can relate to that, to an extent. Over the past year I’ve met some
of my writing heroes; writers that I admire enormously and read
greedily. When I met some of them I was also in the process of
writing my first novel, The Defence. There was that awkward, nervy
moment before I blurted out ‘oh,
I kinda’ do a bit of that writin’ stuff too, you know,’
and immediately wished that statement had remained unblurted. But I
needn’t have worried, Colin Bateman, John Connolly, Declan Burke,
Jeffrey Deaver, Brian McGilloway and others, were more than
encouraging. But I suspected that some of them had that ‘LA actor’
story in the back of their minds. You know the story -
‘Did
I mention I’ve moved to LA? Yeah, I’m an actor now.’
‘Really?
Which restaurant do you work in?’
That
kind of thing.
If
they did have that ‘LA actor’ impression in their minds, and who
can blame them, then they were both kind and sensitive enough not to
show it. I suspect it’s because many of them were once an aspiring,
frustrated writer trying desperately to get published and maybe they
had that moment when they met one of their writing heroes.
This
brings me neatly to a legend of crime fiction, who must remain
nameless, and their story about
not
meeting Lee Child. The nameless legend was at a crime writing
festival and wanted to meet the creator of Jack Reacher. A group of
writers were outside the venue talking to Lee Child. The unnamed
legend described that awkward kind of hanging-back-thing we all do
whilst nervously awaiting that opportune moment to interject and
introduce oneself.
The
anonymous legend waited. Some people departed. There was space to nip
in and hold out an open hand to a fellow legend. He seized his chance
to introduce himself to Lee Child and he duly nipped, he extended the
hand, he took a breath and…. at precisely the same moment an
excessively large bird turd exploded across the impeccably tailored
jacket that contained Lee Child. The moment was gone, along with Lee
Child who presumably departed in order to assemble his sniper rifle
before exacting Reacher-esque revenge on the offending bird.
So
you see, poo doesn’t always assist in meeting writing legends.
Particularly when said poo is released from a high altitude.
Is
there a lesson in this?
You’re
damn right.
If
you want to meet Lee Child, wait until he sits his ass on the toilet.
Well,
actually, no, don’t do that. Lee is well over six feet tall,
charming and polite, of course, but even so, if you approached him
inappropriately whilst in a lavatory, he would probably snap your
neck with his bare hands (a sniper rifle would be a tad unwieldy in a
toilet cubicle).
The
truth is, if you wanted to meet Lee Child you should have gone to
Killer Books.
He’s
super-cool. I met him last weekend at Brian McGilloway’s
brilliantly curated Killer Books Festival in Derry/Londonderry. I met
lots of other fantastic writers including – said Mr McGilloway,
Andrew Pepper, Stuart Neville, Declan Burke, Gerard Brennan, Claire
McGowan, Alan Glynn and fellow solicitor/writer Des Doherty and all
of them made me feel really welcome. Declan and Brian even introduced
me to Lee Child. It is often remarked that crime writers are
overwhelmingly supportive and welcoming of new writers. So they are,
and I’m immensely grateful for their generosity.
This
time (being only a semi-not-yet-published-idiot with the ink still
wet on my publishing contract) after a genuinely friendly chat with
writers that I admire and look up to, who have no business talking to
a newbie like me, but who do so because they too are super-cool, I
didn’t feel so much like an actor who had just moved to LA.
Well,
actually, I did - a bit.
And
I suspect I always will.
4 comments:
Great post. I am not a huge horror fan, but I think King has been underrated despite or maybe because of his massive popularity. And his works and reputation will probably be around after many of more 'prestigious' name has faded. Like Poe, or Mary Shelley or Bram Stoker. As much as I do love good writing, I think that it may be a bigger achievement to give a great character to the collective imagination. I read a fine story, non horror, of King's in a lit magazine a couple of years back, so he passes the lit test too.
I do love Franzen and Rushdie, and am a huge fan of crime fiction, so obviously I don't believe that you have to choose one kind of fiction over another.
Don't worry, I'm not an intellectual, because I didn't pass the Lone Ranger test. But on that basis, there are probably very few Americans that would be.
Thanks, Seena. You're right fiction shouldn't be exclusionist.
Thank God! I thought I might be the only person who never hears the William Tell Overture without thinking immediately of The Lone Ranger. Moreover, Stephen King was for many years--to my mind--the most under-rated writer working in the U.S. (i.e., the literary snobs hated him, and come to think of it, they still do). Even though I put bread on my table by teaching literature, I have--thank God--never abandoned The Lone Ranger and Stephen King. BTW, I very much enjoy your posting!
Thanks R.T.
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