This interview first appeared on CSNI 10th September 2009
T.A. Moore lives in Northern Ireland and shares her space with a cat, too many books and a very kick-ass pair of boots. She was one-time leader of the Performance Pros performance group and has plans involving asparagus, a small bus and the kick-ass boots that should come to fruition in 2012.
Her first novel The Even was published by Morrigan Books in 2008 and the sequel will be out in 2010. In addition to her writing Tammy has designed Creative Writing Workshops, written reviews and judged short story competitions.
"A darkly humorous edgy descent into the world of the forgotten gods. Moore's THE EVEN is like a cocktail with hidden spices: a drop of Terry Pratchett, a dash of Justina Robson, a slurp of crushed legends, with the smeared essence of a fallen faery frosting the glass. Lenith is a glittering gothic anti-hero presented against the splattered canvas of a newly imagined underworld. A stark and thoroughly memorable rebellion against sanitised fantasy."
Greg Hamerton, author of The Riddler's Gift
Q1. What are you writing at the minute?
It’s a chick-lit detective novel set in Dublin. My friend wants me to call it Dick-Lit, but I think that will cause confusion. (I know, I know – chick-lit is dead! I’ll think of something else to call it when I’m pimping it around town.) I just finished writing Shadows Bloom, the sequel to The Even, and I’ve my PhD novel sitting in a drawer waiting for the edit.
Q2. Can you give us an idea of T.A Moore’s typical up-to-the-armpits-in-ideas-and-time writing day?
You make it sound more interesting than it actually is! And more full of time. I tend to work 9-5. The mornings I do freelance work – articles, reviews, critiques and the like – and in the afternoons I work on whatever I have going creatively at the time. I tend to sneak an hour late at night to write too. Discipline is important for me, particularly if the WIP (work-in-progress) isn’t flowing as smoothly as I’d like. I’m a world class procrastinator – one of those kids who spent weeks colouring in their complex revision charts and had to cram all the actual revision into two nights – and if I’m not firm with myself I’ll spend the time making buns or cleaning or playing solitaire on the computer.
Q3. What do you do when you’re not writing?
Not writing? I kid, I kid. It’s important to keep a balance, otherwise you burn out and they find you hiding under a table with a watermelon and a colander. I read a lot. It sounds like a busman’s holiday, I suppose, but it’s nice to just immerse myself in other people’s worlds sometimes. Sometimes I knit – not well, but doing something with my hands that requires concentration but no real THOUGHT (at least, not at the ‘it’s a scarf!’ level of knitting I do) helps me untwist my brain.
Q4. Any advice for a greenhorn trying to break into the urban fantasy scene?
I think the same advice I’d give anyone looking to break into any genre field. Read a lot, write what you’re passionate about and don’t give up. Get BETTER, you always have to be just a little dissatisfied with what you’ve written, but never give up.
Be ready to publicise yourself. Even if you get a big book deal with a major publishing company, they’re going to want you to put yourself about. If you’re working with an indie press, then you’ll need to be willing to put in the work. If no-one knows about your work they can’t read it.
Q5. Which crime writers have impressed you this year?
Dashiell Hammett. I know he isn’t a new writer, but I’ve been re-reading Red Harvest and I’m just in love with it. Perhaps because it isn’t a style of writing I envy – or want to emulate – so I can just enjoy the brusque, restless pace of it. Besides, I adore the shameless Dinah Brand.
As far as writers who are still alive go, I am enjoying Stuart Neville’s short story collection ‘The Six’. I like his writing, the taste of Belfast in the prose, the poetry and the prosaic all wrapped together in one.
My favourite fantasy author at the moment is C.E. Murphy. (I don’t think she reads this blog, so it isn’t sucking up.) The Inheritor’s Cycle has pretty much everything I want in a novel – a rich historical backdrop, a cast of distinct, clever characters and endings the simultaneously satisfy and leave me desperate for the next book to come out.
And I haven’t read these yet, but I am really looking forward to Laura-Anne Gilman’s Vineart series. They look fascinating and I can’t wait to see how the world and the magic weaves itself together.
Q6. What are you reading right now?
Ill-Met in the Arena by Dave Duncan.
Q7. Plans for the future?
To become implausibly successful and be feted the world over! Or to make at least part of my living doing what I love, I’d settle for that.
Q8. With regards to your writing career to date, would you do anything differently?
Maybe not listen to my third form English teacher when she told me my writing was sordid and disgusting? Mostly though, I’ve no aching regrets about anything I’ve done with my writing. Maybe I should get some?
Q9. Do you fancy sharing your worst writing experience?
Oh, that would be the first rejection letter I got from an agent. It was SCATHING. I think that is one of the reasons I’ve never let rejections put me off for long, nothing could be as harsh as that first letter. It said that my novel wasn’t right for their agency and that ‘perhaps another agency would have lower standards.’
I don’t, by the way, think the actual agent involved had anything to do with the letter. In my experience, agents are far too busy to waste time being snide to aspiring writers. It was probably some intern with ideas of being the next Ms Snark, but it was still a shock to read first time out of the submitting gate.
Q10. Anything you want to say that I haven’t asked you about?
I will be doing a reading and Q&A session in the Lock-Keeper’s Cottage in Castlereagh this November, along with some bloke called...Gerard? Come and see us!
Thank you, T.A. Moore!